Pergamon’s strategic location along both land and sea trading routes contributed to its prosperity. Pilgrims from all over the Mediterranean region would flock to the city to engage in commerce or to visit the famous Ascelpion, a center of medical treatments.

Perched atop a windswept mountain along the Turkish coastline and gazing proudly—almost defiantly—over the azure Aegean Sea sit the ruins of ancient Pergamon. Although the majority of its superb intact monuments now sit in Berlin’s Pergamon Museum, enough remains of the acropolis for the visitor to sense the former greatness of the city that once rivaled Alexandria, Ephesus and Antioch in culture and commerce, and whose scientific advancements in the field of medicine resonate through the corridors of today’s medical treatment facilities.

Juxtaposed sharply against this image of enlightened learning is that of “Satan’s Throne,” as described by the prophet John of Patmos (Revelation 2:12–13), which some scholars interpret as referring to the Great Altar of Pergamon, one of the most magnificent surviving structures from the Greco-Roman world.¹

The modern visitor approaches the site from the steep and winding road that leads from the modern Turkish city of Bergama just a few miles away. Upon reaching the ruins, the commanding panoramic view from Pergamon’s 1,000-foot-high perch makes it easy to understand how this city once dominated the entire region.

It was a proud city in its time, and it had reason to be so. Its monuments and building were constructed of high-quality white marble in the finest Hellenistic style, and its library rivaled that of the famed library of Alexandria in Egypt. In the mid-second century A.D., it became known throughout the Mediterranean world as a center of ancient medicine, largely due to the presence of the eminent Roman physician Galen (c. 129–200 A.D.), who was born in ancient Pergamon.

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Pergamon rose to prominence during the years of the Greek empire’s division following the death of Alexander the Great in 323 B.C. His short-lived empire was partitioned among his generals, with General Lysimachus inheriting the then-settlement of Pergamon and its wealth. Due largely to its strategic position along land and sea trading routes and in part to the wealth of the Attalid kings who ruled the kingdom, the city enjoyed centuries of prosperity that continued when it passed peacefully to Rome’s control in 133 B.C. From that point on, Pergamon’s fate was inextricably linked to that of Rome, and it rose and fell in tandem with the great Roman Empire.

Pergamon’s strategic location along both land and sea trading routes contributed to its prosperity. Pilgrims from all over the Mediterranean region would flock to the city to engage in commerce or to visit the famous Ascelpion, a center of medical treatments. Biblical Archaeology Society.

The oldest and arguably most beautiful section of Pergamon is also its highest. The acropolis of Pergamon rises triumphantly over the ruins of the city that cascades down the steep slopes to the valley below. One of the most dramatic structures of the acropolis was what scholars believe to be the Temple of Zeus, the massive foundations of which are all that remain on the southern slope of the site. The altar believed to be associated with the temple, known today as the Great Altar of Pergamon, was moved to Berlin in the 19th century by German archaeologists, who evidently had an easy time getting permission for its removal from the indifferent authorities of the Ottoman empire.

Walking north from the Temple of Zeus and site of the Great Altar of Pergamon, one encounters the remains of the Temple of Athena, constructed at the end of the fourth century or beginning of the third century B.C., and dedicated to the city’s patron goddess. Just beyond that to the northwest is the magnificent structure that was the city’s famous library. While the estimated 200,000 documents of both papyrus and parchment may be rather high (Seneca estimates that approximately 40,000 volumes were catalogued in the larger library of Alexandria), it was certainly one of the largest collections of written material in the ancient world and was famous throughout the Mediterranean. It also housed one of the most extravagant wedding gifts of all time: Mark Antony is said to have presented Cleopatra with a sizable portion of the Pergamon library’s collection, in part to restore Alexandria’s own collection that went up in flames during Julius Caesar’s occupation of the city.

The Great Altar of Pergamon is considered to be one of the greatest surviving monuments from antiquity. Now located in the Pergamon Museum in Berlin, Germany, the altar is thought by many scholars to be the “throne of Satan,” referred to by the prophet John in the Book of Revelations. (Revelation 2:12–13) Honza78, CC BY-SA 4.0, via Wikimedia Commons.

The best-preserved ancient sacred structure on ancient Pergamon’s acropolis is the Temple of Trajan, built during the reign of Emperor Hadrian (117–138 A.D.) and dedicated to his deified predecessor. Towering imposingly over the surrounding structures and ruins, its commanding presence is a testament to the strength of the imperial cult.

Read “Who Is Satan?“ and “How the Serpent Became Satan“ in Bible History Daily.

The Temple of Trajan, or the Trajaneum. The towering structure attests to the strength of the imperial cult in the city. After Augustus became the first emperor of the Roman Empire, Pergamon was authorized to become the first imperial cult center in the east.

It is hard to imagine, gazing up at its enormous height, that this was actually one of the smaller sacred structures in the temple precinct of the acropolis. The sheer size and majesty of the building against the dramatic backdrop of the valley below and the ocean and sky beyond is truly awe-inspiring.

Every ancient Greek city worth its name boasted a theater. A place for both entertainment and civic gatherings, the theater was a focal point of public life in the Greco-Roman world. The architecture of the nearly intact theater of Pergamon not only attests to the city’s importance but also provides what is surely one of the most spectacular—and dizzying—settings of the ancient world. Cascading sharply down the precipitous slope of the acropolis toward the sea, the theater is one of the steepest of its kind. The 10,000 visitors would have had to carefully navigate the 80 rows of horizontal seating, lest they take a fatal tumble to the stage more than 120 vertical feet below. Like many ancient Greek theaters, the theater at Pergamon is an acoustic marvel: An actor (or tourist) speaking normally on the stage can be heard even at the top of the cavea (seating structure).

During the second century A.D., Pergamon’s fame as a center of healing and medical science eclipsed its reputation for anything else. Its most celebrated citizen during this period was the physician Galen, whose work and research was largely responsible for providing the foundation from which modern western medicine was to spring. The asclepion at ancient Pergamon was one of the most famous in the ancient world, and this ancient version of a medical spa attracted pilgrims from all over the Mediterranean region who came seeking the restorative powers of its thermal waters and medical treatments for various ailments and injuries.

Given the fact that the city represented the epitome of Hellenistic culture, traditions and religion in both its pursuits and its very architecture, it is perhaps not surprising that early Christians viewed it as a bastion of all that was anathematic to Christian beliefs. In the Book of Revelation, John conveys a message from the risen Christ to seven Christian congregations in Asia Minor, all of which are located in modern Turkey. Pergamon’s congregation was one of these, and Christ’s message to the faithful praises them for adhering to their faith while living in the place “where Satan dwells.” Antipas, a Christian bishop of Pergamon, was believed to have been martyred here at the end of the first century A.D., around the time when many scholars believe the Book of Revelation was composed. The execution of their bishop certainly would not have endeared the city to its Christian inhabitants, and the Biblical reference to the city is reflective of the general tension between Christian and pagan communities at the end of the first century A.D.

Overcoming vertigo, the author stands in the middle tier of the three-tiered theater of Pergamon, the steepest known theater from the Greco-Roman world.

As part of the Roman Empire, Pergamon’s decline mirrored that of the empire as a whole. Like the rest of the region, it eventually came under Byzantine and then Ottoman rule. By the late 19th century, excavations had begun at the ancient site, and today it draws people from all over the world. Climbing up to the peak of the acropolis, the modern visitor can easily sense the echo of Pergamon’s glorious past, which can still be heard among the beauty of its marble ruins today.

Notes

1. See Adela Yarbro Colins, “Satan’s Throne,” BAR, May/June 2006.

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Sarah Yeomans is an archaeologist specializing in the Imperial period of the Roman Empire with a particular emphasis on ancient science and religion. Currently pursuing her doctorate at the University of Southern California,  A native Californian, Sarah holds an M.A. in archaeology from the University of Sheffield, England, and a M.A. in art history from the University of Southern California. She has conducted archaeological fieldwork in Israel, Italy, Turkey, France, and England and has worked on several television and film productions, most recently as an interviewed expert on The Story of God with Morgan Freeman. She is a Provost Fellow at the University of Southern California and is the recipient of a Research Fellowship from the American Research Institute of Turkey (ARIT) as well as a Mayers Fellowship at the Huntington Library and Museum in Los Angeles. Her current research involves ancient Roman medical technology and cult, as well as the impact of epidemics on Roman society. She is generally happiest when covered in dirt, roaming archaeological sites somewhere in the Mediterranean region.

This Bible History Daily article was originally published on July 16, 2013.

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Map of New Testament Jerusalem, outlining the Old City walls and subsequent enclosures added by Herod the Great and Agrippa I. Click map to enlarge. Map courtesy James Tabor.

On Wednesday Jesus began to make plans for Passover. He sent two of his disciples into the city to prepare a large second-­story guest room where he could gather secretly and safely with his inner group. He knew someone with such a room available and he had prearranged for its use.

Christian pilgrims today are shown a Crusader site known as the Cenacle or “Upper Room” on the Western Hill of Jerusalem that the Crusaders misnamed “Mount Zion.” This area was part of the “Upper City” where Herod had built his palace. It is topographically higher than even the Temple Mount.

It was the grandest section of ancient Jerusalem with broad streets and plazas and the palatial homes of the wealthy. Bargil Pixner and others have also argued that the southwest edge of Mt Zion contained an “Essene Quarter,” with more modest dwellings and its own “Essene” Gate mentioned by Josephus – see his article “Jerusalem’s Essene Gateway“.

Jesus tells his two disciples to “follow a man carrying a jug of water,” who will enter the city, and then enter a certain house. The only water source was in the southern part of the lower city of Jerusalem, the recently uncovered Pool of Siloam. This mysterious man apparently walked up the slope of Mt Zion and entered the city–likely at the Essene Gate. The house is large enough to have an upper story and likely belonged to a wealthy sympathizer of Jesus, perhaps associated with the Essenes. Later this property became the HQ of the Jesus movement led by James the brother of Jesus – see Pixner’s article “The Church of the Apostles Found on Mt Zion”.

Later Christian tradition put Jesus’ last meal with his disciples on Thursday evening and his crucifixion on Friday. We now know that is one day off. Jesus’ last meal was Wednesday night, and he was crucified on Thursday, the 14th of the Jewish month Nisan. The Passover meal itself was eaten Thursday night, at sundown, as the 15th of Nisan began. Jesus never ate that Passover meal. He had died at 3 p.m. on Thursday.

The confusion arose because all the gospels say that there was a rush to get his body off the cross and buried before sundown because the “Sabbath” was near. Everyone assumed the reference to the Sabbath had to be Saturday—so the crucifixion must have been on a Friday. However, as Jews know, the day of Passover itself is also a “Sabbath” or rest day—no matter what weekday it falls on. In the year a.d. 30, Friday the 15th of the Nisan was also a Sabbath—so two Sabbaths occurred back to back—Friday and Saturday. Matthew seems to know this as he says that the women who visited Jesus’ tomb came early Sunday morning “after the Sabbaths”—the original Greek is plural (Matthew 28:1).

As is often the case, the gospel of John preserves a more accurate chronology of what went on. John specifies that the Wednesday night “last supper” was “before the festival of Passover.” He also notes that when Jesus’ accusers delivered him to be crucified on Thursday morning they would not enter ­Pilate’s courtyard because they would be defiled and would not be able to eat the Passover that evening (John 18:28). John knows that the Jews would be eating their traditional Passover, or Seder meal, Thursday evening.

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Reading Mark, Matthew, and Luke one can get the impression that the “last supper” was the Passover meal. Some have even argued that Jesus might have eaten the Passover meal a day early—knowing ahead of time that he would be dead. But the fact is, Jesus ate no Passover meal in 30 CE. When the Passover meal began at sundown on Thursday, Jesus was dead. He had been hastily put in a tomb until after the festival when a proper funeral could be arranged.

There are some hints outside of ­John’s gospel that such was the case. In Luke, for example, Jesus tells his followers at that last meal: “I earnestly wanted to eat this Passover with you before I suffer but I ­won’t eat it until it is fulfilled in the kingdom of God” (Luke 22:14–16). A later copyist of the manuscript inserted the word “again” to make it say “I ­won’t eat it again,” since the tradition had developed that Jesus did observe Passover that night and changed its observance to the Christian Eucharist or Mass. Another indication that this is not a Passover meal is that all our records report that Jesus shared “a loaf of bread” with his disciples, using the Greek word (artos) that refers to an ordinary loaf—not to the unleavened flatbread or matzos that Jews eat with their Passover meals. Also, when Paul refers to the “last supper” he significantly does not say “on the night of Passover,” but rather “on the night Jesus was betrayed,” and he also mentions the “loaf of bread” (1 Corinthians 11:23). If this meal had been the Passover, Paul would have surely wanted to say that, but he does not.

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As late as Wednesday morning Jesus had still intended to eat the Passover on Thursday night. When he sent his two disciples into the city he instructed them to begin to make the preparations. His enemies had determined not to try to arrest him during the feast “lest there be a riot of the people” (Mark 14:2). That meant he was likely “safe” for the next week, since the “feast” included the seven days of Unleavened Bread that followed the Passover meal. Passover is the most family-­oriented festival in Jewish tradition. As head of his household Jesus would have gathered with his mother, his sisters, the women who had come with him from Galilee, perhaps some of his close supporters in Jerusalem, and his Council of Twelve. It is inconceivable that a Jewish head of a household would eat the Passover segregated from his family with twelve male disciples. This was no Passover meal. Something had gone terribly wrong so that all his Passover plans were changed.

Jesus had planned a special meal Wednesday evening alone with his Council of Twelve in the upper room of the guesthouse in the lower city. The events of the past few days had brought things to a crisis and he knew the confrontation with the authorities was unavoidable. In the coming days he expected to be arrested, delivered to the Romans, and possibly crucified. He had intentionally chosen the time and the place—Passover in Jerusalem—to confront the powers that be. There was much of a private nature to discuss with those upon whom he most depended in the critical days ahead. He firmly believed that if he and his followers offered themselves up, placing their fate in ­God’s hands, that the Kingdom of God would manifest itself. He had intentionally fulfilled two of Zechariah’s prophecies—riding into the city as King on the foal, and symbolically removing the “traders” from the “house of God.”

At some point that day Jesus had learned that Judas Iscariot, one of his trusted Council of Twelve, had struck a deal with his enemies to have Jesus arrested whenever there was an opportunity to get him alone, away from the crowds. How Jesus knew of the plot we are not told but during the meal he said openly, “One of you who is eating with me will betray me” (Mark 14:18). His life seemed to be unfolding according to some scriptural plan. Had not David written in the Psalms, “Even my bosom friend, in whom I trusted, who ate of my bread, has lifted the heel against me” (Psalm 41:9). History has a strange way of repeating itself. Over a hundred years earlier, the Teacher of Righteousness who led the Dead Sea Scroll community had quoted that very Psalm when one of his inner “Council” had betrayed him.

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Ironically our earliest account of that last meal on Wednesday night comes from Paul, not from any of our gospels. In a letter to his followers in the Greek city of Corinth, written around a.d. 54, Paul passes on a tradition that he says he “received” from Jesus: “Jesus on the night he was betrayed took a loaf of bread, and when he had given thanks, he broke it and said, ‘This is my body that is broken for you. Do this in remembrance of me.’ In the same way he took the cup also, after supper, saying, ‘This cup is the new covenant in my blood. Do this, as often as you drink it, in remembrance of me’” (1 Corinthians 11:23–25).

These words, which are familiar to Christians as part of the Eucharist or the Mass, are repeated with only slight variations in Mark, Matthew, and Luke. They represent the epitome of Christian faith, the pillar of the Christian Gospel: all humankind is saved from sins by the sacrificed body and blood of Jesus. What is the historical likelihood that this tradition, based on what Paul said he “received” from Jesus, represents what Jesus said at that last meal? As surprising as it might sound, there are some legitimate problems to consider.

Read Andrew McGowan’s article “The Hungry Jesus,” in which he challenges the tradition that Jesus was a welcoming host at meals, in Bible History Daily.

The Catacombs of Santa Priscilla features a fresco in the Greek Chapel of a banquet dating to the 3rd century – possibly referencing the Eucharistic banquet – with seven figures including a young man breaking bread and a veiled woman. Image courtesy James Tabor.

At every Jewish meal, bread is broken, wine is shared, and blessings are said over each—but the idea of eating human flesh and drinking blood, even symbolically, is completely alien to Judaism. The Torah specifically forbids the consuming of blood, not just for Israelites but anyone. Noah and his descendants, as representatives of all humanity, were first given the prohibition against “eating blood” (Genesis 9:4). Moses had warned, “If anyone of the house of Israel or the Gentiles who reside among them eats any blood I will set my face against that person who eats blood and will cut that person off from the people” (Leviticus 17:10). James, the brother of Jesus, later mentions this as one of the “necessary requirements” for non-­Jews to join the Nazarene community—they are not to eat blood (Acts 15:20). These restrictions concern the blood of animals. Consuming human flesh and blood was not forbidden, it was simply inconceivable. This general sensitivity to the very idea of “drinking blood” precludes the likelihood that Jesus would have used such
symbols.

The Essene community at Qumran described in one of its scrolls a “messianic banquet” of the future at which the Priestly Messiah and the Davidic Messiah sit together with the community and bless their sacred meal of bread and wine, passing it to the community of believers, as a celebration of the Kingdom of God. They would surely have been appalled at any symbolism suggesting the bread was human flesh and the wine was blood. Such an idea simply could not have come from Jesus as a Jew.

So where does this language originate? If it first surfaces in Paul, and he did not in fact get it from Jesus, then what was its source? The closest parallels are certain Greco-­Roman magical rites. We have a Greek papyrus that records a love spell in which a male pronounces certain incantations over a cup of wine that represents the blood that the Egyptian god Osiris had given to his consort Isis to make her feel love for him. When his lover drinks the wine, she symbolically unites with her beloved by consuming his blood. In another text the wine is made into the flesh of Osiris. The symbolic eating of “flesh” and drinking of “blood” was a magical rite of union in Greco-­Roman culture.

Read Jonathan Klawans’s Bible Review article Was Jesus’ Last Supper a Seder? and his updated article Jesus’ Last Supper Still Wasn’t a Passover Seder Meal online for free in Bible History Daily.

We have to consider that Paul grew up in the Greco-­Roman culture of the city of Tarsus in Asia Minor, outside the land of Israel. He never met or talked to Jesus. The connection he claims to Jesus is a “visionary” one, not Jesus as a flesh-and-blood human being walking the earth. See my book, Paul and Jesus for a full elaboration of the implications of Paul’s visionary revelations. When the Twelve met to replace Judas, after Jesus had been killed, they insisted that to be part of their group one had to have been with Jesus from the time of John the Baptizer through his crucifixion (Acts 1:21–22). Seeing visions and hearing voices were not accepted as qualifications for an apostle.

Second, and even more telling, the gospel of John recounts the events of that last Wednesday night meal but there is absolutely no reference to these words of Jesus instituting this new ceremony of the Eucharist. If Jesus in fact had inaugurated the practice of eating bread as his body, and drinking wine as his blood at this “last supper” how could John possibly have left it out? What John writes is that Jesus sat down to the supper, by all indications an ordinary Jewish meal. After supper he got up, took a basin of water and a cloth, and began to wash his disciples’ feet as an example of how a Teacher and Master should act as a servant—even to his disciples. Jesus then began to talk about how he was to be betrayed and John tells us that Judas abruptly left the meal.

Mark’s gospel is very close in its theological ideas to those of Paul. It seems likely that Mark, writing a decade after ­Paul’s account of the last supper, inserts this “eat my body” and “drink my blood” tradition into his gospel, influenced by what Paul has claimed to have received. Matthew and Luke both base their narratives wholly upon Mark, and Luke is an unabashed advocate of Paul as well. Everything seems to trace back to Paul. As we will see, there is no evidence that the original Jewish followers of Jesus, led by Jesus’ brother James, headquartered in Jerusalem, ever practiced any rite of this type. Like all Jews they did sanctify wine and bread as part of a sacred meal, and they likely looked back to the “night he was betrayed,” remembering that last meal with Jesus.

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What we really need to resolve this matter is an independent source of some type, one that is Christian but not influenced by Paul, that might shed light on the original practice of Jesus’ followers. Fortunately, in 1873 in a library at Constantinople, just such a text turned up. It is called the Didache and dates to the early 2nd century CE. It had been mentioned by early church writers but had disappeared until a Greek priest, Father Bryennios, discovered it in an archive of old manuscripts quite by accident. The title Didache in Greek means “Teaching” and its full title is “The Teaching of the Twelve Apostles.” It is a type of early Christian “instruction manual” probably written for candidates for Christian baptism to study. It has lots of ethical instructions and exhortations but also sections on baptism and the Eucharist—the sacred meal of bread and wine. And that is where the surprise comes. It offers the following blessings over wine and bread:

With respect to the Eucharist you shall give thanks as follows. First with respect to the cup: “We give you thanks our Father for the holy vine of David, your child which you made known to us through Jesus your child. To you be the glory forever.” And with respect to the bread: “We give you thanks our Father for the life and knowledge that you made known to us through Jesus your child. To you be the glory forever.”

Notice there is no mention of the wine representing blood or the bread representing flesh. And yet this is a record of the early Christian Eucharist meal! This text reminds us very much of the descriptions of the sacred messianic meal in the Dead Sea Scrolls. Here we have a messianic celebration of Jesus as the Davidic Messiah and the life and knowledge that he has brought to the community. Evidently this community of Jesus’ followers knew nothing about the ceremony that Paul advocates. If ­Paul’s practice had truly come from Jesus surely this text would have included it.

There is another important point in this regard. In Jewish tradition it is the cup of wine that is blessed first, then the bread. That is the order we find here in the Didache. But in ­Paul’s account of the ­“Lord’s Supper” he has Jesus bless the bread first, then the cup of wine—just the reverse. It might seem an unimportant detail until one examines ­Luke’s account of the words of Jesus at the meal. Although he basically follows the tradition from Paul, unlike Paul Luke reports first a cup of wine, then the bread, and then another cup of wine! The bread and the second cup of wine he interprets as the “body” and “blood” of Jesus. But with respect to the first cup—in the order one would expect from Jewish tradition—there is nothing said about it representing “blood.” Rather Jesus says, “I tell you that from now on I will not drink of the fruit of the vine until the kingdom comes” (Luke 22:18). This tradition of the first cup, found now only in Luke, is a leftover clue of what must have been the original tradition before the Pauline version was inserted, now confirmed by the Didache.

More by James Tabor in Bible History Daily

That Other “King of the Jews”

Can a Pre-Christian Version of the Book of Revelation be Recovered?

The “Strange” Ending of the Gospel of Mark and Why It Makes All the Difference

The Making of a Messiah

Understood in this light, this last meal makes historical sense. Jesus told his closest followers, gathered in secret in the Upper Room, that he will not share another meal with them until the Kingdom of God comes. He knows that Judas will initiate events that very night, leading to his arrest. His hope and prayer is that the next time they sit down together to eat, giving the traditional Jewish blessing over wine and bread—the Kingdom of God will have come.

Since Jesus met only with his Council of Twelve for that final private meal, then James as well as Jesus’ other three brothers would have been present. This is confirmed in a lost text called the Gospel of the Hebrews that was used by Jewish-­Christians who rejected ­Paul’s teachings and authority. It survives only in a few quotations that were preserved by Christian writers such as Jerome. In one passage we are told that James the brother of Jesus, after drinking from the cup Jesus passed around, pledged that he too would not eat or drink again until he saw the kingdom arrive. So here we have textual evidence of a tradition that remembers James as being present at the last meal.

In the gospel of John there are cryptic references to James. Half a dozen times John mentions a mysterious unnamed figure that he calls “the disciple whom Jesus loved.” The two are very close; in fact this unnamed disciple is seated next to Jesus either at his right or left hand. He leaned back and put his head on Jesus’ breast during the meal (John 13:23). He is the one to whom Jesus whispers that Judas is the betrayer. Even though tradition holds that this is John the fisherman, one of the sons of Zebedee, it makes much better sense that such intimacy was shared between Jesus and his younger brother James. After all, from the few stories we have about John son of Zebedee, he has a fiery and ambitious personality—Jesus had nicknamed him and his brother the “sons of Thunder.” They are the two that had tried to obtain the two chief seats on the Council of Twelve, one asking for the right hand, the other the left. On another occasion they asked Jesus for permission to call down fire from heaven to consume a village that had not accepted their preaching (Luke 9:54). On both occasions Jesus had rebuked them. The image we get of John son of Zebedee is quite opposite from the tender intimacy of the “disciple whom Jesus loved.” No matter how ingrained the image might be in Christian imagination, it makes no sense to imagine John son of Zebedee seated next to Jesus, and leaning on his breast.

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Late that night, after the meal and its conversations, Jesus led his band of eleven disciples outside the lower city, across the Kidron Valley, to a thick secluded grove of olive trees called Gethsemane at the foot of the Mount of Olives. Judas knew the place well because Jesus often used it as a place of solitude and privacy to meet with his disciples (John 18:2). Judas had gone into the city to alert the authorities of this rare opportunity to confront Jesus at night and away from the crowds.

It was getting late and Jesus’ disciples were tired and drowsy. Sleep was the last thing on Jesus’ mind, and he was never to sleep again. His all-­night ordeal was about to begin. He began to feel very distressed, fearful, and deeply grieved. He wanted to pray for strength for the trials that he knew would soon begin. Mark tells us that he prayed that if possible the “cup would be removed from him” (Mark 14:36). Jesus urged his disciples to pray with him but the meal, the wine, and the late hour took their toll. They all fell asleep.

Dr. James Tabor is Chair of the Department of Religious Studies at the University of North Carolina at Charlotte where he is professor of Christian origins and ancient Judaism. Since earning his Ph.D. at the University of Chicago in 1981, Tabor has combined his work on ancient texts with extensive field work in archaeology in Israel and Jordan, including work at Qumran, Sepphoris, Masada, Wadi el-Yabis in Jordan. Over the past decade he has teamed up with with Shimon Gibson to excavate the “John the Baptist” cave at Suba, the “Tomb of the Shroud” discovered in 2000, Mt Zion and, along with Rami Arav, he has been involved in the re-exploration of two tombs in East Talpiot including the controversial “Jesus tomb.” Tabor is the author of the popular Taborblog, and several of his recent posts have been featured in Bible History Daily as well as the Huffington Post. His latest book, Paul and Jesus: How the Apostle Transformed Christianity has become a immediately popular with specialists and non-specialists alike. You can find links to all of Dr. Tabor’s web pages, books, and projects at jamestabor.com.

Related reading in Bible History Daily

Did Jesus’ Last Supper Take Place Above the Tomb of David?

Was Jesus’ Last Supper a Seder?

Jesus’ Last Supper Still Wasn’t a Passover Seder Meal

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Was Jesus’ Last Supper a Seder?

Biblical Views: From Supper to Sacrament: How the Last Supper Evolved

The Eucharist—Exploring Its Origins

Was The Last Supper a Passover Seder?

The post The Last Days of Jesus: A Final “Messianic” Meal appeared first on Biblical Archaeology Society.

Who were the Nabataeans? The Siq is a tortuous half-mile-long canyon that winds its way from the entrance of Petra to the large open plaza at the foot of the Khazneh. Formed through countless millennia of geological activity and water action, the canyon was used by the Nabataeans as a ceremonial route into their capital. The sides of the Siq were also outfitted with channels and pipes that carried fresh water into the city.

For every tourist who visits the ancient city of Petra in modern-day Jordan, there is one breathtaking moment that captures all of the grandeur and mystery of this city carved in stone. After passing the final bend of the tortuous narrow canyon that leads into the site (the Siq), one is confronted by the awe-inspiring spectacle of a towering rock-cut façade, its sun-struck sandstone gleaming through the darkness of the canyon.

The façade, popularly known as the Khazneh, or “Treasury,” appears first only as a faint vision, its architectural details and full dimensions crowded out by the darkened walls of the Siq. But as you leave the Siq and enter the large open courtyard that sits before the Khazneh, you begin to realize, with astonishment and wonder, the immensity of the monument that towers above you.

The Khazneh is both unexpectedly familiar, and at the same time, strangely exotic. Its ornamented face is adorned with the columns, capitals and pediments of classical Western architecture, yet it seems entirely out of place in the rugged desert landscape of southern Jordan, an area historically inhabited by flock-tending Bedouin and simple farmers. Perhaps it was this bewildering juxtaposition that made the Khazneh the ideal backdrop for the climactic scene of the 1989 film Indiana Jones and the Last Crusade.

Al-Khazneh (“the Treasury”), likely a tomb or monument to King Aretas IV who ruled over the Nabataeans from 9 B.C. to 40 A.D.

In many ways, the Khazneh epitomizes the complex character and competing ambitions of the Nabataeans, the industrious Arab people who built the city of Petra and its towering rock-cut monuments (including the Khazneh) over 2,000 years ago. Almost everything about the Nabataeans—their history, their culture, their religion, their technologies and especially their architecture—reflects a society born out of two worlds: one authentically Arabian, and the other unquestionably Hellenized.

The Nabataeans arose from humble nomadic origins in the vast deserts of northern Arabia sometime during the Persian period (539-332 B.C.). By the late fourth century B.C., they had established themselves in the area around Petra (or Reqem, as it was known to them), but they still maintained a largely nomadic existence, moving seasonally across the desert with their tents and herds in search of water and fresh pasture.

But it was also about this time that the Nabataeans began to get involved in the lucrative trade in South Arabian frankincense and myrrh, the same business that had led the Queen of Sheba to visit the court of Solomon some five centuries earlier (1 Kings 10). At first, the Nabataeans were little more than middlemen in the trade, simply responsible for ferrying goods on camelback from Petra to the ports of Gaza and Alexandria on the Mediterranean coast. But as their economic and political fortunes improved in the ensuing centuries, the Nabataeans gained political control over all of the lands bordering the Arabian frontier, a vast territory stretching from Damascus in the north to Hegra in the south.

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By the first century B.C., Petra had become a full-fledged capital city, its rulers raking in considerable profits from an international spice trade that now extended from India to Rome. With such wealth and position, the Nabataean kings had to present both themselves and their city as equal partners in the international community, which at the time meant adopting the styles, tastes and the mores of “western” Hellenistic civilization. Petra, much like Jerusalem under the Herodian dynasty, was to be built as a first-order Greco-Roman city ruled by western-looking kings.

Like most cities of early Roman Palestine, Petra was equipped with a large theater complex that may have seated as many as 6,000. Petra’s theater, however, was carved almost entirely from the area’s natural bedrock.

Indeed, the distinctly Hellenized flavor of Petra is patently obvious to any visitor to the site, even beyond the ornate façade of the Khazneh. Just a half-mile beyond the Treasury, one finds the well-worn but still very impressive remains of a Greco-Roman style theater, its multi-tiered seating not built but rather carved directly from Petra’s rose-colored sandstone bedrock. From the theater’s seats, one can just catch a glimpse of the elaborate, Hellenistic rock-cut façades of the Royal Tombs, thought to be the final resting places of the Nabataean kings and queens.

The first-century A.D. colonnaded street leading through the heart of the Nabataean city of Petra. In the distance is the imposing ruin of Qasr el-Bint, the city’s main temple.

After a short hike beyond the theater, one comes to the heart of ancient Petra: a wide, half-mile long, stone-paved thoroughfare flanked on all sides by the key institutions of the city’s Hellenistic life. On the left, one can spot the remnants of luxurious pools and gardens, as well as a bustling market and a grand temple reached by a monumental staircase; to the right, there is an elegant nymphaeum and an opulent shrine dedicated to al-Uzza, one of the chief goddesses of the Nabataeans.

Further down the avenue, beyond the remains of a towering triumphal gate, stands the imposing edifice of Petra’s main temple, known today as Qasr al-Bint. With its walls preserved to a height of over 75 feet, Qasr al-Bint was built in the guise of a traditional Roman temple, with a broad colonnaded porch leading to a smaller interior shrine, or Holy of Holies. It was likely built in honor of the chief Nabataean god Dushara. Some distance behind this temple, on a hill overlooking the city’s main street, archaeologists have uncovered Petra’s high-rent district (known today as Zantur), where wealthy citizens owned villas adorned with colorful Pompeian-style frescoes and supplied with the finest local and imported wares.

BAS Library Members: Learn more about archaeology in Jordan and the enigmatic Nabataeans in Avraham Negev, “Understanding the Nabataeans”, BAR, November/December 1988, and Joseph J. Basile, “When People Lived at Petra”, Archaeology Odyssey, July/August 2000.

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Beyond the city center, however, the Hellenistic flavor of Petra gives way to monuments and features that are directly born of the Nabataeans’ nomadic and Arabian origins. A rigorous climb up Jabal al-Madhbah behind the Roman theater, for example, brings you to an open-air sanctuary topped by towering obelisks that was set aside for religious sacrifices and rituals. A similar open-air sanctuary has been found atop neighboring Jebel al-Khubtha to the east. Both sites, in addition to providing stunning views over the heart of ancient Petra and its intricate honeycomb of rock-cut tombs, highlight the importance of traditional high-place sanctuaries within Nabataean society.

Perched atop Jabal el-Madhbah, one of the Nabataeans’ many cultic high places, are two towering obelisks carved directly from the natural sandstone bedrock. Their precise meaning and function remain a mystery.

Among the more impressive rock-cut monuments of Petra are the so-called “Royal Tombs” carved into the cliff face of Jebel al-Khubtha. Although the tombs have long since been robbed out and have no inscriptions that indicate their owners, their size, magnificence and Hellenistic style suggest they once held the kings and queens of Nabataea.

The Nabataeans, like many ancient Semitic peoples, represented their deities as unadorned rectangular stone blocks or standing stones, often called “betyls” by scholars. This rock-cut shrine, which houses two such betyls carved side by side (the larger depicted with abstracted facial features), is found in the Siq.

Dotting the cliff faces throughout Petra are hundreds of rock-cut tombs of various size and shape. The façades of the tombs shown here have a characteristic step design which may have emulated Egyptian and even Persian architecture of the period.

One also finds depictions of rectangular stone blocks, or betyls, carved in the stones and rock faces throughout Petra’s cavernous passageways. These typically unadorned blocks (though some have schematized facial features) are thought to be traditional representations of Nabataean deities. Simplicity and minimalism in building and decoration is characteristic of the Arabian aspects of Nabataean civilization. Even ad-Deir (“the Monastery”), Petra’s largest and most imposing rock rock-cut façade, located in the hills high above the city, shows an austere Arabian decorative scheme that belies its otherwise Hellenistic architectural style.

The Nabataeans also had to learn to harness the limited water resources of their desert capital. Throughout Petra, Nabataean engineers took advantage of every natural spring and every winter downpour to channel water where it was needed. They constructed aqueducts and piping systems that allowed water to flow across mountains, through gorges and into the temples, homes and gardens of Petra’s citizens. Walking through the Siq, one can easily spot the remains of channels that directed water to the city center, as well as durable retention dams that kept powerful flood waters at bay.

Ad-Deir (“the Monastery”) is the largest of Petra’s rock-cut monuments. It may have been carved as a memorial or temple for the deified Nabataean king Obodas I.

The Nabataeans were master engineers and urban planners. To prevent powerful winter rains and flash floods from entering the Siq, for example, the Nabataeans built dams wherever water might enter the canyon.

But the apogee of this prosperous desert capital that rivaled Herod’s Jerusalem was short lived. By 106 A.D., the kingdom of Nabataea had been swallowed by the Roman Empire. Although Petra continued to flourish for many years, its importance waned as the overland trade in South Arabian incense declined and the Roman imperial economy collapsed. The city, like much of southern Palestine, was then devastated by an earthquake in 363 A.D. Petra carried on and even saw the rise of a significant Christian community, but it never again attained its former glory.

Glenn J. Corbett is Editor-in-Chief of Biblical Archaeology Review Magazine. He was Associate Director of the American Center of Oriental Research (ACOR) in Amman, Jordan, Director of the Wadi Hafir Petroglyph Survey. He received his Ph.D. in Near Eastern archaeology from the University of Chicago, where his research focused on the epigraphic and archaeological remains of pre-Islamic Arabia.

This Bible History Daily article was originally published in August 2012.

Related reading in Bible History Daily

Site-Seeing: Petra’s Temple of the Winged Lions

New Petra Monument Spotted Through Satellites

Casting New Light on Petra

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Cyber-Archaeology at Petra

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The post Solving the Enigma of Petra and the Nabataeans appeared first on Biblical Archaeology Society.

The Sisters of Nazareth Convent
A Roman-period, Byzantine, and Crusader site in central Nazareth
Ken Dark
ISBN 9780367542191
Published September 16, 2020 by Routledge
284 Pages 18 Color & 147 B/W Illustrations

The childhood home of Jesus may have been found underneath the Sisters of Nazareth Convent in Nazareth, Israel, according to archaeologist Ken Dark.

This very well could be the childhood home of Jesus. It doesn’t look inviting, but this rock-hewn courtyard house was quite likely Jesus’ home in Nazareth. The recent excavation by Ken Dark and the Nazareth Archaeological Project revealed good evidence to suggest this is where Jesus was raised. Photo: Ken Dark.

The excavation site located beneath the convent has been known since 1880, but it was never professionally excavated until the Nazareth Archaeological Project began its work in 2006. In “Has Jesus’ Nazareth House Been Found?” in the March/April 2015 issue of BAR, Ken Dark, the director of the Nazareth Archaeological Project, not only describes the remains of the home itself, but explores the evidence that suggests that this is the place where Jesus spent his formative years—or at least the place regarded in the Byzantine period as the childhood home of Jesus.

The excavation revealed a first-century “courtyard house” that was partially hewn from naturally occurring rock and partially constructed with rock-built walls. Many of the home’s original features are still intact, including doors and windows. Also found at the site were tombs, a cistern and, later, a Byzantine church.

Is it possible to identify the first-century man named Jesus behind the many stories and traditions about him that developed over 2,000 years in the Gospels and church teachings? Visit the Jesus/Historical Jesus study page to read free articles on Jesus in Bible History Daily.

The remains combined with the description found in the seventh-century pilgrim account De Locus Sanctis point to the courtyard house found beneath the convent as what may have been regarded as Jesus’ home in Nazareth. Archaeological and geographical evidence from the Church of the Annunciation, the International Marion Center and Mary’s Well come together to suggest that this location may be where Jesus transitioned from boy to man.

Ken Dark also discusses the relationship between the childhood home of Jesus, Nazareth and the important site of Sepphoris. It has been thought that Sepphoris would have provided Joseph with work and Jesus many important cultural experiences. However, Ken Dark believes that Nazareth was a larger town than traditionally understood and was particularly Jewish in its identity—as opposed to the Roman-influenced Sepphoris. This is partially based on the result of his survey of the Nahal Zippori region that separates Sepphoris and Nazareth geographically.

For more on the childhood home of Jesus, read the full article “Has Jesus’ Nazareth House Been Found?” by Ken Dark in the March/April 2015 issue of Biblical Archaeology Review.

The Sisters of Nazareth Convent
A Roman-period, Byzantine, and Crusader site in central Nazareth

Ken Dark
ISBN 9780367542191
Published September 16, 2020 by Routledge
284 Pages 18 Color & 147 B/W Illustrations

Read the full article “Has Jesus’ Nazareth House Been Found?” by Ken Dark in the March/April 2015 issue of Biblical Archaeology Review.

Not a BAS Library or All-Access Member yet? Join today.

A version of this Bible History Daily article was originally published in March 2015.

Related reading in Bible History Daily

Has the Tomb of Jesus Been Discovered?

Was Jesus a Jew?

Sepphoris Inscriptions Reference Rabbis

All-Access members, read more in the BAS Library

O Little Town of…Nazareth?

Biblical Views: Jesus’ Birthplace and Jesus’ Home

Yes, They Are

How Jewish Was Sepphoris in Jesus’ Time?

The post Has the Childhood Home of Jesus Been Found? appeared first on Biblical Archaeology Society.

“Yahweh and his Asherah” is written across the top of this eighth-century B.C. drawing on a ceramic pithos, or storage jar, from Kuntillet ‘Ajrud in the eastern Sinai. Some scholars have theorized that these figures resembling the Egyptian god Bes (on the left in the photo above) are in fact a drawing of God and his consort. Others, however, have interpreted both figures as male. The recently published Kuntillet ‘Ajrud excavation report sheds some light on this enigmatic fragment, but many questions remain. Photo courtesy Dr. Ze’ev Meshel and Avraham Hai/Tel Aviv University Institute of Archaeology.

Everything about it has been difficult. Located in the Sinai desert about 10 miles west of the ancient Gaza Road (Darb Ghazza, in Arabic) as it passes through Bedouin territory separating the Negev from Egypt, Kuntillet ‘Ajrud is remote and isolated from any other settlement. In 1975, Tel Aviv University archaeologist Ze’ev Meshel and a band of nine volunteers, mostly from kibbutzim and a few colleagues as staff, decided to excavate at the site.

The finds from Kuntillet ‘Ajrud were fantastic. The zingers were two large pithoi, or storage jars, that weighed about 30 pounds each. The now-reconstructed pithoi are painted with deities, humans, animals and symbols, and feature a number of inscriptions, including three that refer to Yahweh and his asherah or Asherah, depending on your interpretation. Asherah is a pagan goddess. Was she God’s wife?

Below an inscription on one of the pithoi (referring to Yahweh and his asherah) are drawings of two figures easily and unquestionably identifiable as the Egyptian god Bes, in fact a collective name for a group of dwarf deities. Is this meant to be a drawing of God (i.e., Yahweh) with his consort Asherah? The scholar who published the chapter about the drawings doesn’t think so. She interprets it as two male deities—probably just the Egyptian god Bes—and not as a drawing of God and his goddess wife. Other scholars disagree, but this much is clear: The drawing was added to the pithos after the inscription was written, so the two may be completely unrelated.

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Why has it taken nearly four decades to publish this final report? One reason is that everything about Kuntillet ‘Ajrud and its finds is so darn difficult to interpret—or even to see. The recently published report is a superb volume, and the discussion and interpretation will surely continue far beyond its pages.

Subscribers: Learn more about the site and finds at Kuntillet ‘Ajrud, including the fragment with the two figures of the Egyptian god Bes that may be a drawing of God labeled “Yahweh and his Asherah,” by reading BAR editor Hershel Shanks’s review article “The Persisting Uncertainties of Kuntillet ‘Ajrud” in the November/December 2012 issue of Biblical Archaeology Review.

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Related reading in Bible History Daily:

Asherah and the Asherim: Goddess or Cult Symbol?

Judean Pillar Figurines

Israelite Kings Depicted in Ancient Art?

The History of the Tetragrammaton

This Bible History Daily feature was originally published in October 2012.

The post Puzzling Finds from Kuntillet ‘Ajrud appeared first on Biblical Archaeology Society.

Is it possible that the earliest existing picture of a scene from the Bible also includes the philosophers Socrates and Aristotle as onlookers? It is not only possible; I believe that is the case.

The earliest depiction of a Biblical scene comes from a site that is perhaps better known to some for its erotic art than for its religious devotions: Pompeii. The city was buried in volcanic ash in 79 A.D. following the eruption of nearby Mt. Vesuvius. It was a devastating tragedy for Pompeii’s residents but a boon to modern scholars and art historians.

In the building known as the House of the Physician, excavators found a wall painting clearly depicting King Solomon seated on a raised tribunal and flanked by two counselors. As described in the Bible, two women have come to the Israelite monarch, each claiming to be the mother of the same infant. When Solomon orders the baby to be divided in half, the real mother, shown at the foot of the dais, pleads with him to spare the child and announces her willingness to relinquish her claim. The other woman is shown standing by the butcher block on which the infant has been placed. As a soldier raises an axe to do the king’s bidding, she seizes what she believes will be her portion, saying, according to the Biblical text, “Let it be neither mine, nor thine, but divide it.” It is obvious who the real mother is. The child is given to her unharmed as soldiers and observers look on, marveling at Solomon’s wisdom (1 Kings 3:16–28).

Pleading for her baby’s life, a woman kneels at the feet of King Solomon and relinquishes her claim to the contested child, thus identifying herself as the real mother of the infant in 1 Kings 3:16–28. Nearby a soldier prepares to follow the king’s order to cut the baby in two, while another woman, also claiming to be the mother, stands ready to take her half. This Roman wall painting from the House of the Physician in Pompeii is the earliest known depiction of a Biblical scene—a surprising find in a city better known for its brothels and erotic art than its religious paintings. So who was the person that commissioned this painting: a Jew, a Christian or a gentile? Photo: Scala/Art Resource, NY.

The wall painting has now been removed and is on exhibit at the Museo Nazionale in Naples. While it is therefore well known to scholars, it has not previously been noted that this is the earliest depiction of a full-fledged Biblical scene known to us!

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Was the painting commissioned by a Jew, an early Christian, a so-called God-fearer (gentiles who adopted many Jewish customs and beliefs, but did not convert^a) or simply an educated Roman?

There is good evidence that Jews lived in Pompeii. Kosher brands of the locally popular fish sauces were packed there and appropriately labeled Kosher Garum and Kosher Muria (garum castum, muria casta).¹ A two-word inscription, Sodoma Gomora, also survives from a house front in Pompeii and may have been written by a Jew or, less likely, by an early Christian, either before the eruption of Vesuvius or by a digger soon afterwards. It is perhaps more affecting to imagine its having been hastily written in the midst of the eruption by someone who analogized the town’s impending fate with that of the two doomed Biblical cities.

Wondering at the wisdom of King Solomon’s decision, two onlookers in the lower left corner of the painting observe the proceedings. Author Theodore Feder believes these clearly depicted figures represent the great Greek philosophers Socrates and Aristotle. With the creation of the Septuagint in the third century B.C., the Greek translation of the Hebrew Bible spread throughout the Greco-Roman world. The presence of these men in a Biblical scene suggests that the owner of this house was a gentile who wanted to draw a parallel between the Classical Greek sages and the wisdom of the Hebrew Bible. Photo: Alinari/Art Resource, NY

My own feeling, however, is that it is more likely that the painting of Solomon displaying his wisdom was commissioned by a non-Jew. True, the Second Commandment’s prohibition against depicting the human form was not always obeyed by Jews in the Roman era.² But the injunction was particularly strong in the years leading up to the Jewish rebellion against Rome in 66 A.D., when protests against graven and painted images received a strong political as well as religious impetus. On stylistic grounds, the painting can be dated from the period immediately preceding the Vesuvius eruption in 79 A.D.

In any event, it is clear that the work reflects the influence of the Hebrew Bible. The Torah (the Pentateuch or Five Books of Moses) was translated into Greek beginning in about 270 B.C., and the rest of the Bible was added in the immediately following centuries. According to one account, King Ptolmey II Philadelphus of Egypt wanted a copy of the Hebrew Bible for his great library in Alexandria.^b More likely, it was made by Jews for the Jews of Alexandria who did not know Hebrew. According to a traditional story, 70 scholars were isolated from each other on an island in Alexandria and instructed to prepare a Greek translation. When they were finished, all Greek copies were identical. Hence, this Greek translation of the Hebrew Bible is still known as the Septuagint.^c The Greek translation became available not only to the many Greek-speaking Hellenized Jews of the Mediterranean world, but to non-Jews as well. This text served as both a literary and iconographic source-book for Jew and gentile alike. Although the owner of the House of the Physician could in theory have been either a Jew, a so-called God-fearer, an early Christian or a Roman gentile, he was most likely a gentile, based simply on demographic grounds. In short, gentiles were more numerous, more likely to attain wealth, and under no prohibition with regard to depicting the human form.

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Socrates has long been considered one of the founders of Western philosophy. Museo Pio Clementino at the Vatican. Alinari/Art Resource, NY

Over the years, a bald head, beard and flat nose became iconic features for depicting Socrates. The similarity to the figure in the Pompeian painting is so striking that he must be Socrates. Museo Archeologico Nazionale, Naples Scala/Art Resource, NY

Among the onlookers are two figures in the lower left corner of the composition who are more fully delineated than the very lightly sketched group of figures immediately behind them. The features and poses of these two witnesses reflect surprise, wonder and admiration.

I believe these two figures are stand-ins for Socrates and Aristotle, introduced as a way of associating the wisdom of Solomon with that of the Greek philosophers. Put another way, their presence in the composition attests to the respect Greek philosophy could accord to Hebrew wisdom. Such a juxtaposition in art of wise men from the two civilizations was unprecedented, has rarely been done since, and is of great cultural and historical significance.

The standing figure on the left has the bald head, flattened nose, and beard that almost always characterizes depictions of Socrates.

The figure to the right stands with his right leg thrust forward; his chin rests on his unsupported right arm in a classic thinker’s pose. He would be more natural if he were pictured seated. His features, however, correspond to a prototype for Aristotle: a full head of curly hair, little or no beard in this case and a regular profile. It is likely that the painter modeled Aristotle on a seated prototype derived from a Greek original that was copied in Roman times. A surviving example is the seated Aristotle from the Galleria Spada in Rome. There the pose is almost identical to the standing Aristotle of the Pompeian wall painting; the left leg is thrust forward and the head rests on an upraised arm which is in turn supported by Aristotle’s bent knee.

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The Pompeian painter likely modeled his portrayal of the great philosopher Aristotle on an existing statue like this one but modified it to a standing position as seen in the completed painting. Scala/Art Resource, NY

The association of Jews with Greek wisdom and philosophy, though rare, was not entirely unknown in Hellenistic literature. In one of the earliest Greek references to the Jews, Clearchus of Soli (c. 300 B.C.), a disciple of Aristotle, quotes Aristotle as saying that the Jews are descended from Indian philosophers.³ In a similar vein, Theophrastus (372–288 B.C.) remarks that “being a race of philosophers, they converse with each other about divinity, and during the night they view the stars, turning their eyes to them and invoking their God with prayers.”⁴ This could serve as a still-accurate portrayal of synagogues in the modern era, where evening prayers (Maariv in Hebrew) are traditionally begun at sundown with the appearance of the first stars.

Numenius of Apamaea (Syria), a second-century A.D. Platonist, praised the Jews for worshiping an incorporeal God and declared that Plato had been but “a Moses in Attic garb,” here, too, making an association between the great thinkers of both cultures.⁵

The owner of the House of the Physician approved the depiction of this scene and likely proposed the subject matter to the painter. In selecting an episode from the Hebrew Bible, the patron departed from the canon of classical religious subject matter and elevated one from the Scriptures of a people whose influence at the time was spreading throughout the empire and would one day, in its Christian formulation, pervade it.

Theodore Feder is president and founder of Art Resource, the world’s largest photo archive of fine art, as well as president of the Artists Rights Society. He is author of Great Treasures of Pompeii and Herculaneum (Abbeville Press) and numerous articles.

Notes

1. August Mau, Pompeii, Its Life and Art, trans. Francis W. Kelsey (New York: Macmillan, 1902), p. 16.

2. See Harold H. Ellens, “The Library of Alexandria: The West’s Most Important Repository of Learning,” Bible Review 13:01.

3. On Sleep, quoted by Josephus, Against Apion I, 176–182.

4. On Piety, cited by Poryphry, third century A.D., in On Abstinence, 2.26. Meyer Reinhold and Louis Feldman, Jewish Life and Thought Among Greeks and Romans (Minneapolis: Fortress Press, 1996), primary readings, p. 7.

5. Salo Wittmayer Baron, A Social and Religious History of the Jews, vol. 2 (New York: Columbia Univ. Press, 1937), p. 157.

a. See Louis H. Feldman, “The Omnipresence of the God-Fearers”; Robert S. MacLennan and Thomas Kraabel, “The God-Fearers—A Literary and Theological Invention”; and Robert Tannenbaum, “Jews and God-Fearers in the Holy City of Aphrodite,” all in BAR, September/October 1986.

b. See Jacob Neusner, Symbol and Theology in Early Judaism (Minneapolis: Fortress Press, 1991), pp. 211, 216. Also, Erwin R Goodenough, Jewish Symbols in the Greco-Roman Period, 13 vols. (Princeton, NJ: Princeton Univ. Press, 1953–1968).

c. Philo of Alexandria gives a full account of its composition in his “Life of Moses” (2.6: 31–37, 44) See also Leonard J. Greenspoon, “Mission to Alexandria: Truth and Legend About the Creation of the Septuagint, the First Bible Translation,” Bible Review 05:04.

“Solomon, Socrates and Aristotle” by Theodore Feder originally appeared in Biblical Archaeology Review, September/October 2008.

Related reading in Bible History Daily

The Split of Early Christianity and Judaism

Lovers’ Tale

First Person: Art as Bible Interpretation

Stoa Poikile Excavations in the Athenian Agora

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The post Solomon, Socrates and Aristotle appeared first on Biblical Archaeology Society.

Nearly a century ago, French archaeologist Raymond Weill excavated what he identified to be tombs in Jerusalem’s City of David—perhaps the royal necropolis of the earliest Old Testament kings. Some scholars have since disputed this claim, but an examination of the evidence by archaeologist Jeff Zorn suggests that Weill might well have been right.

Although King David’s tomb has been erroneously identified with a location on Jerusalem’s Mt. Zion since the days of the Jewish historian Josephus (first century C.E.), earlier Biblical references make it clear that David and many other Old Testament kings were buried near the southern end of the City of David in ancient Jerusalem. But where exactly? Jeff Zorn believes we may already know.

Archaeologist Jeff Zorn believes these two quarried-out tunnels in the City of David may have once held the remains of the earliest Old Testament kings of ancient Jerusalem.

Nineteenth-century diplomat and explorer Charles Clermont-Ganneau believed the circuitous path of Hezekiah’s Tunnel offered a major clue. Clermont-Ganneau suggested the looping semicircular path followed by Hezekiah’s Tunnel towards its southern end was dug to avoid disturbing the burial grounds of the ancient Jerusalem kings that lay above. Within a couple of decades, Baron Edmond de Rothschild had purchased land in this area of the City of David to test the hypothesis through excavation.

Weill directed excavations on Baron Rothschild’s City of David property in 1913–1914 and again in 1923–1924. Though the area was greatly disturbed by later quarrying, Weill discovered ancient walls, ritual pools, cisterns, a circular tower (now believed to be a columbarium) and, most remarkably, nine rock-cut features that he identified as “tombs.” Weill interpreted the three most prominent tombs (labeled T1–T3) to be part of the royal necropolis of the Old Testament kings of ancient Jerusalem.

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The parallel rock-cut tunnels Weill labeled T1 and T2 are still the most imposing of the “tombs.” T1 is about 54 feet long, 8 feet wide and 6 feet high. T2 is about 28 feet long, although evidence suggests it may originally have been much longer. While both tunnels are relatively simple and unadorned, T1 was divided into two levels, with the upper including a 6-foot-long rectangular depression at its far end that could have held the body or sarcophagus of the deceased.

So are these tunnels the remains of the royal Davidic necropolis of ancient Jerusalem?

Most scholar have remained unconvinced, pointing out that several features of the tunnels indicate they were more likely used as domestic cisterns or basements during the Second Temple period. But, as Jeff Zorn argues, even if these features were modified and reused during the Second Temple period (by which time any memory of where David and his descendants were buried had long since faded), this does not preclude the possibility of their original function as ancient Jerusalem royal tombs.

Those who reject Weill’s interpretation also point out that prominent Jerusalem families were able to commission much more elaborate First Temple period tombs, many of which have been found. Why then would Judah’s Old Testament kings have been buried in such simple, unadorned sepulchers?

Jeff Zorn argues that the plain tombs discovered by Weill are much more characteristic of the relatively simple royal tombs known from Late Bronze and early Iron Age sites throughout the Near East. As such, Weill’s tombs very well could be the tombs of Jerusalem’s earliest Old Testament kings, whose final resting places would have been made to look like the royal tombs of their contemporaries.

To continue learning about the ancient Jerusalem tombs discovered by Weill, read Jeffrey Zorn’s “Is T1 David’s Tomb?,” Biblical Archaeology Review, November/December 2012.

To view web-exclusive details of the site, visit “King David’s Tomb–A Closer Look”.

A version of this post first appeared in Bible History Daily in 2012.

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Related reading in Bible History Daily

The Tomb of the Kings in Jerusalem

King David’s Tomb–A Closer Look

Have the Tombs of the Kings of Judah Been Found?: A Response

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Letter from a Hebrew King?

Who Built the Tomb of the Kings?

Mounds of Mystery

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The practice of crucifixion in antiquity was brought to life as never before when the heel bones of a young man named Yehohanan were found in a Jerusalem tomb, pierced by an iron nail. The discovery shed new light on Roman crucifixion methods and began to rewrite the history of crucifixion in antiquity. Photo: ©Erich Lessing

The Romans were not the only people to practice crucifixion in antiquity. The history of crucifixion extends as far back as the Assyrians, Phoenicians and Persians of the first millennium B.C., as well as some Greeks throughout the Hellenized world. Even so, the most detailed accounts are of Roman crucifixion methods.

Initially the practice served only as a punishment and humiliation, usually for slaves, and did not necessarily result in death. As Roman crucifixion methods evolved, however, it became a means to execute foreign captives, rebels and fugitives. During times of war or rebellion, crucifixions could number in the hundreds or thousands. The convicted could sometimes hang in agony for days before expiring.

Despite the long history of crucifixion in antiquity, the discovery of Yehohanan’s remains offered scientists the first opportunity to study the process of crucifixion and Roman crucifixion methods up close. The bones were found in an ossuary, or bone box, inscribed several times with Yehohanan’s name (“Yehohanan son of Hagakol”). This ossuary, along with several others, had been placed in a tomb complex consisting of two chambers and 12 burial niches. During the Roman period (first century B.C.–first century A.D.) Jews who could afford this type of burial would lay out the dead bodies of loved ones on stone benches in rock-cut tombs. A year later, after the flesh had desiccated, the bones were collected into an ossuary and left in the tomb with those of other family members.

Examination of Yehohanan’s bones showed one of the many Roman crucifixion methods. Both of his feet had been nailed together to the cross with a wooden plaque while his legs were bent to one side. His arm bones revealed scratches where the nails had passed between. Both legs were badly fractured, most likely from a crushing blow meant to end his suffering and bring about a faster death. Yehohanan was probably a political dissident against Roman oppression. In death his bones have helped fill in gaps in the history of crucifixion.

Below, read the original report from BAR written by Vassilios Tzaferis about his excavation of the tomb of Yehohanan in Jerusalem.

Crucifixion—The Archaeological Evidence

by Vassilios Tzaferis

From ancient literary sources we know that tens of thousands of people were crucified in the Roman Empire. In Palestine alone, the figure ran into the thousands. Yet until 1968 not a single victim of this horrifying method of execution had been uncovered archaeologically.

In that year I excavated the only victim of crucifixion ever discovered. He was a Jew, of a good family, who may have been convicted of a political crime. He lived in Jerusalem shortly after the turn of the era and sometime before the Roman destruction of Jerusalem in 70 A.D.

In the period following the Six Day War—when the Old City and East Jerusalem were newly under Israeli jurisdiction—a great deal of construction was undertaken. Accidental archaeological discoveries by construction crews were frequent. When that occurred, either my colleagues at the Israel Department of Antiquities and Museums or I would be called in; part of our job was to investigate these chance discoveries.

In late 1968 the then Director of the Department, Dr. Avraham Biran, asked me to check some tombs that had been found northeast of Jerusalem in an area called Giv‘at ha-Mivtar. A crew from the Ministry of Housing had accidentally broken into some burial chambers and discovered the tombs. After we looked at the tombs, it was decided that I would excavate four of them.

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This particular tomb (which we call Tomb No. 1) was a typical Jewish tomb, just like many others found in Jerusalem. On the outside, in front of the entrance to the tomb, was a forecourt (which, unfortunately, had been badly damaged). The entrance itself was blocked by a stone slab and led to a large, carved-out cave chamber, nearly 10 feet square (Chamber A on the plan). On three sides of the chamber were stone benches, intentionally left by the carver of the chamber. The fourth wall contained two openings leading down to another, lower chamber (Chamber B on the plan) that was similar in design to the first but had no benches. When we found Chamber B, its entrance was still blocked with a large stone slab.

Tomb 1 at Giv‘at ha Mivtar had two chambers, A and B, that contained a total of 12 loculi, or burial niches. In one wall of chamber A was a large stone slab that blocked the entrance to the lower chamber B. Chamber B was at a sufficiently lower level so that loculi 11 and 12 could be carved under the floor of chamber A. Adapted from Israel Exploration Journal Vol. 20, Numbers 1–2, (1970)

Each of the two chambers contained burial niches that scholars call loculi (singular: loculus), about five to six feet long and a foot to a foot and a half wide. In Chamber A, there were four loculi and in Chamber B, eight—two on each side. In Chamber B the two loculi carved into the wall adjacent to Chamber A were cut under the floor of Chamber A.

A cross section view of the tomb shows how it would look if an imaginary vertical slice were cut through it between the points marked on the plan with arrows at loculi 1 and 8. Adapted from Israel Exploration Journal Vol. 20, Numbers 1–2, (1970)

Some of the loculi were sealed by stone slabs; others were blocked by small undressed stones that had been covered with plaster. In Chamber B, in the floor by the entrance to Chamber A, a child’s bones had been buried in a small pit. The pit was covered by a flat stone slab, similar to the ossuary lids I shall describe later.

Nine of the 12 loculi in the two tomb chambers contained skeletons, usually only one skeleton to a loculus. However, three of the loculi (Loculi 5, 7 and 9) contained ossuaries. Ossuaries are small boxes (about 16 to 28 inches long, 12 to 20 inches wide and 10 to 16 inches high) for the secondary burial of bones. During this period, it was customary to collect the bones of the deceased after the body had been buried for almost a year and the flesh had decomposed. The bones were then reinterred in an ossuary. The practice of collecting bones in ossuaries had a religious significance that was probably connected with a belief in the resurrection of the dead. But this custom was also a practical measure; it allowed a tomb to be used for a prolonged period. As new burials became necessary, the bones of earlier burials were removed and placed in an ossuary. Reburial in an ossuary was, however, a privilege for the few; not every Jewish family could afford them. Most families reburied the bones of their dead in pits. The use of stone ossuaries probably began during the Herodian dynasty (which began in 37 B.C.) and ended in the second half of the second century A.D.

Ossuaries discovered in the Giv‘at ha-Mivtar tombs. Made of local limestone, these ossuaries display various incised decorations. Concentric circles within a grid of squares may have symbolic meaning, or they may be merely ornamental. This ossuary contained the bones of a woman named Martha, whose name was inscribed on the opposite side.

Thousands of ossuaries have been found in cemeteries around Jerusalem. Most, like the ones we found, are carved from soft local limestone. The workmanship varies. Some that we found in the tomb have a smooth finish over all their surfaces, including the lids. Others, especially the larger ossuaries, are cruder; the surfaces were left unsmoothed and the marks of the cutting tools are clearly visible.

Ossuaries discovered in the Giv‘at ha-Mivtar tombs. Made of local limestone, these ossuaries display various incised decorations. A man, a woman, and a child were buried in this ossuary decorated with two six-petaled rosettes within circles. Between the two rosettes an Aramaic inscription reads: Yhwntn qdrh, “Jehonathan the potter.”

The ossuaries are variously decorated with incised lines, rosettes and sometimes inscriptions. Ossuary lids are of three types: gabled, flat and convex. We found all three types in our tomb. Often, ossuaries bear scratched marks at one end, extending onto the edge of the lid. These marks served to show how the lid was to be fitted onto the ossuary.

Scratched on an ossuary found in Tomb 1 at Giv’at ha-Mivtar is a symbol that resembles an asterisk. The identical symbol on the lid shows the user how to align the lid when closing the ossuary.

Of the eight ossuaries we found in this tomb, three were in situ in loculi in Chamber B; the other five were discovered in Chamber B in the middle of the floor.

We also found a considerable quantity of pottery in the tomb. Because all the pottery was easily identifiable, we were able to date the tomb quite accurately. The entire assemblage can be dated with certainty between the late Hellenistic period (end of the second century B.C., about 180 B.C.) to the Roman destruction of the Second Temple (70 A.D.). However, the bulk of the pottery dates to the period following the rise of the Herodian dynasty in 37 B.C. The assemblage included so-called spindle bottles^a (probably used for aromatic balsam), globular juglets (for oil), oil lamps and even some cooking pots.

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The skeletal finds indicate that two generations were buried in this tomb. No doubt this was the tomb of a family of some wealth and perhaps even prominence. The eight ossuaries contained the bones of 17 different people. Each ossuary contained the bones of from one to five people. The ossuaries were usually filled to the brim with bones, male and female, adult and child, interred together. One ossuary also held a bouquet of withered flowers.

Ossuaries discovered in the Giv‘at ha-Mivtar tombs. Made of local limestone, these ossuaries display various incised decorations. Six-petaled rosettes and concentric circles decorate a small ossuary that contained the bones of two children.

As we shall see from the inscriptions, at least one member of this family participated in the building of Herod’s temple. But despite the wealth and achievement of its members, this family was probably not a happy one.

An osteological examination showed that five of the 17 people whose bones were collected in the ossuaries died before reaching the age of seven. By age 37, 75 percent had died. Only two of the 17 lived to be more than 50. One child died of starvation, and one woman was killed when struck on the head by a mace.

And one man in this family had been crucified. He was between 24 and 28 years old, according to our osteologists.

Strange though it may seem, when I excavated the bones of this crucified man, I did not know how he had died. Only when the contents of Ossuary No. 4 from Chamber B of Tomb No. 1 were sent for osteological analysis was it discovered that it contained one three- or four-year-old child and a crucified man—a nail held his heel bones together. The nail was about 7 inches (17–18 cm) long.

Before examining the osteological evidence, I should say a little about crucifixion. Many people erroneously assume that crucifixion was a Roman invention. In fact, Assyrians, Phoenicians and Persians all practiced crucifixion during the first millennium B.C. Crucifixion was introduced in the west from these eastern cultures; it was used only rarely on the Greek mainland, but Greeks in Sicily and southern Italy used it more frequently, probably as a result of their closer contact with Phoenicians and Carthaginians.¹

During the Hellenistic period, crucifixion became more popular among the Hellenized population of the east. After Alexander died in 323 B.C., crucifixion was frequently employed both by the Seleucids (the rulers of the Syrian half of Alexander’s kingdom) and by the Ptolemies (the rulers of the Egyptian half).

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Among the Jews crucifixion was an anathema. (See Deuteronomy 21:22–23: “If a man is guilty of a capital offense and is put to death, and you impale him on a stake, you must not let his corpse remain on the stake overnight, but must bury him the same day. For an impaled body is an affront to God: you shall not defile the land that the Lord your God is giving you to possess.”)

The traditional method of execution among Jews was stoning. Nevertheless, crucifixion was occasionally employed by Jewish tyrants during the Hasmonean period. According to Josephus,² Alexander Jannaeus crucified 800 Jews on a single day during the revolt against the census of 7 A.D.

At the end of the first century B.C., the Romans adopted crucifixion as an official punishment for non-Romans for certain legally limited transgressions. Initially, it was employed not as a method of execution, but only as a punishment. Moreover, only slaves convicted of certain crimes were punished by crucifixion. During this early period, a wooden beam, known as a furca or patibulum was placed on the slave’s neck and bound to his arms. The slave was then required to march through the neighborhood proclaiming his offense. This march was intended as an expiation and humiliation. Later, the slave was also stripped and scourged, increasing both the punishment and the humiliation. Still later, instead of walking with his arms tied to the wooden beam, the slave was tied to a vertical stake.

Because the main purpose of this practice was to punish, humiliate and frighten disobedient slaves, the practice did not necessarily result in death. Only in later times, probably in the first century B.C., did crucifixion evolve into a method of execution for conviction of certain crimes.

Initially, crucifixion was known as the punishment of the slaves. Later, it was used to punish foreign captives, rebels and fugitives, especially during times of war and rebellion. Captured enemies and rebels were crucified in masses. Accounts of the suppression of the revolt of Spartacus in 71 B.C. tell how the Roman army lined the road from Capua to Rome with 6,000 crucified rebels on 6,000 crosses. After the Romans quelled the relatively minor rebellion in Judea in 7 A.D. triggered by the death of King Herod, Quintilius Varus, the Roman Legate of Syria, crucified 2,000 Jews in Jerusalem. During Titus’s siege of Jerusalem in 70 A.D., Roman troops crucified as many as 500 Jews a day for several months.

In times of war and rebellion when hundreds and even thousands of people were crucified within a short period, little if any attention was paid to the way the crucifixion was carried out. Crosses were haphazardly constructed, and executioners were impressed from the ranks of Roman legionaries.

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In peacetime, crucifixions were carried out according to certain rules, by special persons authorized by the Roman courts. Crucifixions took place at specific locations, for example, in particular fields in Rome and on the Golgotha in Jerusalem. Outside of Italy, the Roman procurators alone possessed authority to impose the death penalty. Thus, when a local provincial court prescribed the death penalty, the consent of the Roman procurator had to be obtained in order to carry out the sentence.

Once a defendant was found guilty and was condemned to be crucified, the execution was supervised by an official known as the Carnifix Serarum. From the tribunal hall, the victim was taken outside, stripped, bound to a column and scourged. The scourging was done with either a stick or a flagellum, a Roman instrument with a short handle to which several long, thick thongs had been attached. On the ends of the leather thongs were lead or bone tips. Although the number of strokes imposed was not fixed, care was taken not to kill the victim. Following the beating, the horizontal beam was placed upon the condemned man’s shoulders, and he began the long, grueling march to the execution site, usually outside the city walls. A soldier at the head of the procession carried the titulus, an inscription written on wood, which stated the defendant’s name and the crime for which he had been condemned. Later, this titulus was fastened to the victim’s cross. When the procession arrived at the execution site, a vertical stake was fixed into the ground. Sometimes the victim was attached to the cross only with ropes. In such a case, the patibulum or crossbeam, to which the victim’s arms were already bound, was simply affixed to the vertical beam; the victim’s feet were then bound to the stake with a few turns of the rope.

If the victim was attached by nails, he was laid on the ground, with his shoulders on the crossbeam. His arms were held out and nailed to the two ends of the crossbeam, which was then raised and fixed on top of the vertical beam. The victim’s feet were then nailed down against this vertical stake.

Without any supplementary body support, the victim would die from muscular spasms and asphyxia in a very short time, certainly within two or three hours. Shortly after being raised on the cross, breathing would become difficult; to get his breath, the victim would attempt to draw himself up on his arms. Initially he would be able to hold himself up for 30 to 60 seconds, but this movement would quickly become increasingly difficult. As he became weaker, the victim would be unable to pull himself up and death would ensue within a few hours.

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In order to prolong the agony, Roman executioners devised two instruments that would keep the victim alive on the cross for extended periods of time. One, known as a sedile, was a small seat attached to the front of the cross, about halfway down. This device provided some support for the victim’s body and may explain the phrase used by the Romans, “to sit on the cross.” Both Erenaeus and Justin Martyr describe the cross of Jesus as having five extremities rather than four; the fifth was probably the sedile. To increase the victim’s suffering, the sedile was pointed, thus inflicting horrible pain. The second device added to the cross was the suppedaneum, or foot support. It was less painful than the sedile, but it also prolonged the victim’s agony. Ancient historians record many cases in which the victim stayed alive on the cross for two or three or more days with the use of a suppedaneum. The church father Origen writes of having seen a crucified man who survived the whole night and the following day. Josephus refers to a case in which three crucified Jews survived on the cross for three days. During the mass crucifixions following the repression of the revolt of Spartacus in Rome, some of the crucified rebels talked to the soldiers for three days.³

Using this historical background and the archaeological evidence, it is possible to reconstruct the crucifixion of the man whose bones I excavated at Giv‘at ha-Mivtar.

The most dramatic evidence that this young man was crucified was the nail which penetrated his heel bones. But for this nail, we might never have discovered that the young man had died in this way. The nail was preserved only because it hit a hard knot when it was pounded into the olive wood upright of the cross. The olive wood knot was so hard that, as the blows on the nail became heavier, the end of the nail bent and curled. We found a bit of the olive wood (between 1 and 2 cm) on the tip of the nail. This wood had probably been forced out of the knot where the curled nail hooked into it.

When it came time for the dead victim to be removed from the cross, the executioners could not pull out this nail, bent as it was within the cross. The only way to remove the body was to take an ax or hatchet and amputate the feet. Thereafter, the feet, the nail and a plaque of wood that had been fastened between the head of the nail and the feet remained attached to one another as we found them in Ossuary No. 4. Under the head of the nail, the osteological investigators found the remains of this wooden plaque, made of either acacia or pistacia wood. The wood attached to the curled end of the nail that had penetrated the upright of the cross was, by contrast, olive wood.

At first the investigators thought that the bony material penetrated by the nail was only the right heel bone (calcaneum). This assumption initially led them to a mistaken conclusion regarding the victim’s position on the cross. Further investigation disclosed, however, that the nail had penetrated both heel bones. The left ankle bone (sustentaculum tali) was found still attached to the bone mass adjacent to the right ankle bone, which was itself attached to the right heel bone. When first discovered, the two heel bones appeared to be two formless, unequal bony bulges surrounding an iron nail, coated by a thick calcareous crust. But painstaking investigation gradually disclosed the makeup of the bony mass.^b

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A word about the conditions under which the bones in the ossuaries were studied might be appropriate here. The medical team that studied the bones was given only four weeks to conduct their examination before the bones were reburied in a modern ceremony. Certain long-term preservation procedures were therefore impossible, and this precluded certain kinds of measurements and comparative studies. In the case of the crucified man, however, the investigators were given an additional period of time to study the materials, and it was during this period that the detailed conditions described here were discovered.

When removed from the tomb chamber, each of the eight ossuaries was one-third filled with a syrupy fluid. Strangely enough, the considerable moisture in the ossuaries resulted in a peculiar kind of preservation of the packed bones. The bones immersed in the fluid at the bottom of the ossuaries were coated with a limy sediment. As a result, the nailed heel bones were preserved in relatively good condition. Nevertheless, the overall condition of the bones must be described as fragile.

Before they were studied, the bones were first dehydrated and then impregnated with a preservative. Only then could they be measured and photographed.

Despite these limiting conditions, a detailed and very human picture of the crucified man gradually emerged. At 5 feet 6 inches (167 cm) tall, this young man in his mid- to late-twenties stood at about the mean height for Mediterranean people of the time. His limb bones were fine, slender, graceful and harmonious. The muscles that had been attached to his limb bones were lean, pointing to moderate muscular activity, both in childhood and after maturity. Apparently he never engaged in heavy physical labor. We can tell that he had never been seriously injured before his crucifixion, because investigators found no pathological deformations or any traumatic bony lesions. His bones indicated no marks of any disease or nutritional deficiency.

The young man’s face, however, was unusual. He had a cleft right palate—a congenital anomaly which was also associated with the congenital absence of the right upper canine tooth and the deformed position of several other teeth. In addition, his facial skeleton was asymmetric, slanting slightly from one side to the other (plagiocephaly). The eye sockets were at slightly different heights, as were the nasal apertures. There were differences between the left and right branches of the lower jaw bone, and the forehead was more flattened on the right side than on the left. Some of these asymmetries have a direct association with the cleft palate.

From drawings of Yehohanan’s skull, an artist has sketched a portrait of the young man who was crucified in the early first century A.D. Yehohanan’s face was slightly asymmetrical. This deformity was probably the result of two factors: Yehohanan’s mother may have been deprived of food or suffered some severe stress during the first weeks of her pregnancy, and the birth may have been a difficult one. Yehohanan had a cleft palate, his eyes, nostrils and jaws were at slightly different heights, and his forehead was flatter on the right side than on the left. But hair, beard and moustache probably disguised these irregularities. In fact, Yehohanan was a pleasant looking man whose graceful, muscular and perfectly proportioned body must have compensated for a less-than-perfect face. Courtesy Israel Exploration Journal Vol. 20, Numbers 1–2, (1970)

The majority of modern medical scholars ascribe a cleft palate (and some associated asymmetries of the face) not to a genetic factor but to a critical change in the manner of life of the pregnant woman in the first two or three weeks of pregnancy. This critical change has frequently been identified as an unexpected deterioration in the woman’s diet, in association with psychical stress. Statistically, this malformation occurs more frequently in chronically undernourished and underprivileged families than in the well-situated. But some catastrophe could cause sudden stress in the life of a well-to-do woman as well.

Other asymmetries of the facial skeleton may be attributable to disturbances in the final period of pregnancy or difficulties in delivery. Thus, our medical experts conjectured two prenatal crises in the life of this crucified man: one in the first few weeks of his mother’s pregnancy and the other, a most difficult birth.

To help determine the appearance of the face, the team of anatomical experts took 38 anthropological measurements, 28 other measurements, and determined four cranial indices. The general shape of the facial skeleton, including the forehead, was five-sided. Excluding the forehead, the face was triangular, tapering below eye level. The nasal bones were large, curved, tight in the upper region and coarse in the lower part. The man’s nose was curved and his chin robust, altogether a mild-featured facial skeleton.

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What his life was like, we cannot know. But he seems to have come from a comfortable, if not well-to-do family. One of the ossuaries (not the one containing the crucified man) was inscribed in Aramaic on the side: “Simon, builder of the Temple.” Apparently at least one member of the family participated in Herod’s lavish rebuilding of the Temple on Jerusalem’s Temple Mount. Simon may well have been a master mason or an engineer. Another ossuary was inscribed “Yehonathan the potter.”

“Simon, builder of the Temple.” The inscription on this ossuary found in the same Jewish tomb with the ossuary of Yehohanan tells posterity the part Simon played in history. Eight ossuaries containing the bones of 17 members of Simon and Yehohanan’s family were found in this tomb. Since not all families could afford limestone ossuaries for secondary burials, we know that this was a family of some wealth.

We may conjecture that during this turbulent period of history, our crucified man was sentenced to die by crucifixion for some political crime. His remains reveal the horrible manner of his dying.

From the way in which the bones were attached, we can infer the man’s position on the cross. The two heel bones were attached on their adjacent inside (medial) surfaces. The nail went through the right heel bone and then the left. Since the same nail went through both heels, the legs were together, not apart, on the cross.

A study of the two heel bones and the nail that penetrated them at an oblique angle pointing downward and sideways indicates that the feet of the victim were not fastened tightly to the cross. A small seat, or sedile must have been fastened to the upright of the cross. The evidence as to the position of the body on the cross convinced the investigators that the sedile supported only the man’s left buttock. This seat both prevented the collapse of the body and prolonged the agony.

Given this position on the cross and given the way in which the heel bones were attached to the cross, it seems likely that the knees were bent, or semi-flexed, as in the drawing. This position of the legs was dramatically confirmed by a study of the long bones below the knees, the tibia or shinbone and the fibula behind it.

Only the tibia of the crucified man’s right leg was available for study. The bone had been brutally fractured into large, sharp slivers. This fracture was clearly produced by a single, strong blow. The left calf bones were lying across the sharp edge of the wooden cross, and the percussion from the blow on the right calf bones passed into the left calf bones, producing a harsh and severing blow to them as well. The left calf bones broke in a straight, sharp-toothed line on the edge of the cross, a line characteristic of a fresh bone fracture. This fracture resulted from the pressure on both sides of the bone—on one side from the direct blow on the right leg and on the other from the resistance of the edge of the cross.

Crucifixion of Yehohanan. Study of the wounds on Yehohanan’s skeleton enabled osteologists to reconstruct his position on the cross. His arms were nailed above the wrists to the crossbeam. His legs were bent and twisted to one side, and a small sedile, or seat, supported only his left buttock. Courtesy Israel Exploration Journal Vol. 20, Numbers 1–2, (1970)

The angle of the line of fracture on these left calf bones provides proof that the victim’s legs were in a semi-flexed position on the cross. The angle of the fracture indicates that the bones formed an angle of 60° to 65° as they crossed the upright of the cross. This compels the interpretation that the legs were semi-flexed.

When we add this evidence to that of the nail and the way in which the heel bones were attached to the cross, we must conclude that this position into which the victim’s body was forced was both difficult and unnatural.

The arm bones of the victim revealed the manner in which they were attached to the horizontal bar of the cross. A small scratch was observed on one bone (the radius) of the right forearm, just above the wrist. The scratch was produced by the compression, friction and gliding of an object on the fresh bone. This scratch is the osteological evidence of the penetration of the nail between the two bones of the forearm, the radius and the ulna.

Christian iconography usually shows the nails piercing the palms of Jesus’ hands. Nailing the palms of the hands is impossible, because the weight of the slumping body would have torn the palms in a very short time. The victim would have fallen from the cross while still alive. As the evidence from our crucified man demonstrates, the nails were driven into the victim’s arms, just above the wrists, because this part of the arm is sufficiently strong to hold the weight of a slack body.^c

The position of the crucified body may then be described as follows: The feet were joined almost parallel, both transfixed by the same nail at the heels, with the legs adjacent; the knees were doubled, the right one overlapping the left; the trunk was contorted and seated on a sedile; the upper limbs were stretched out, each stabbed by a nail in the forearm.

The victim’s broken legs not only provided crucial evidence for the position on the cross, but they also provide evidence for a Palestinian variation of Roman crucifixion—at least as applied to Jews. Normally, the Romans left the crucified person undisturbed to die slowly of sheer physical exhaustion leading to asphyxia. However, Jewish tradition required burial on the day of execution. Therefore, in Palestine the executioner would break the legs of the crucified person in order to hasten his death and thus permit burial before nightfall. This practice, described in the Gospels in reference to the two thieves who were crucified with Jesus (John 19:18), has now been archaeologically confirmed.^d Since the victim we excavated was a Jew, we may conclude that the executioners broke his legs on purpose in order to accelerate his death and allow his family to bury him before nightfall in accordance with Jewish custom.

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There’s something else we know about this victim. We know his name. Scratched on the side of the ossuary containing his bones were the words “Yehohanan, the son of Hagakol.”

Ossuary of Yehohanan. About a year after Yehohanan had been crucified, his family reburied his bones in this stone box and scratched his name not once, but several times, into the stone. One of the two inscriptions on this long side of the ossuary reads Yhwhnn bn hgqwl, “Yehohanan, son of HGQWL.” A clear translation of Yehohanan’s father’s name is not possible, but it may be a corruption of the name Ezekiel. Courtesy Israel Exploration Journal Vol. 20, Numbers 1–2, (1970)

For further details, see Vassilios Tzaferis, “Jewish Tombs at and near Giv‘at ha-Mivtar, Jerusalem,” Israel Exploration Journal 20/1, 2 (1970), pp. 18–32; Nico Haas, “Anthropological Observations on the Skeletal Remains from Giv‘at ha-Mivtar,” Israel Exploration Journal 20/1, 2 (1970), pp. 38–59; and Joseph Naveh, “The Ossuary Inscriptions from Giv‘at ha-Mivtar,” Israel Exploration Journal 20/1, 2 (1970), pp. 33–37. See also, for a different hypothesis as to the position of Yehohanan on the cross, Yigael Yadin, “Epigraphy and Crucifixion,” Israel Exploration Journal 23 (1973), pp. 18–22. On the history of crucifixion, see Pierre Barbet, A Doctor at Calvary (Image Books, 1963).

Also, be sure to read the Scholars’ Corner: New Analysis of the Crucified Man by Hershel Shanks, discussing the scholarly responses to Vassilios Tzaferis’ article.

Notes

1. Diodorus Siculus XIV:53.

2. Josephus, Antiquities XIV:380–381.

3. Appian, B. Civ. I, 120.

^a. A spindle bottle resembles a cylinder that bulges at its midsection.

^b. A medical team from the Department of Anatomy at the Hebrew University Hadassah Medical School, headed by Dr. Nico Haas, made an intensive, if brief, study of the bones.

^c. Early Christian artists, although frequently representing events from the life of Jesus, refrained from drawing scenes of the crucifixion during the first 500 years of Christian history. The earliest Christian representation of the crucifixion dates to the late fifth or early sixth centuries A.D., i.e., about 200 years after crucifixion was legally abolished by the emperor Constantine the Great.

^d. In John 19:34, a lance is plunged into Jesus’ heart. This was not intended as the death blow but as a post mortem blow inflicted in order to testify to the victim’s death. Only after this testimonial was obtained was the body removed from the cross and handed over to the victim’s relatives for burial. The blow to the heart proved beyond doubt that the victim was indeed dead.

Born on the Isle of Samos, in Greece, Vassilios Tzaferis received a Ph.D. from Hebrew University in Jerusalem. He has directed many excavations, including those at Ashkelon, Tiberius, Beth Shean, Capernaum and at various locations in Jerusalem.

“Crucifixion—The Archaeological Evidence” by Vassilios Tzaferis originally appeared in Biblical Archaeology Review, Jan/Feb 1985, 44-53.

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“… For they drank from the spiritual rock that followed them, and the rock was Christ.”
—1 Corinthians 10:4

A WALKING ROCK IN THE DESERT. A walking rock, sailing stone, moving rock or sliding rock are all names for a rock that moves along a smooth valley floor without the assistance of humans or animals. What does Paul mean in the Bible when he talks about the “spiritual rock that followed” the Israelites during their wanderings in the wilderness? Is he talking about a walking rock? No—the natural phenomenon of a walking rock is very different than the miraculous water-giving rock mentioned in 1 Corinthians 10:4. Photo: Lgcharlot’s is licensed under CC-by-SA-4.0

What does Paul mean in the Bible when he says that the Israelites drank “from the spiritual rock that followed them” during their wanderings in the wilderness?

Paul makes this claim—in 1 Corinthians 10:4—while recounting how the Israelites were sustained in the wilderness after their dramatic Exodus from Egypt before they entered the Promised Land. They “all ate the same spiritual food” and “drank the same spiritual drink” (1 Corinthians 10:3–4).

Those familiar with the Hebrew Bible (Old Testament) might stop and wonder: What does Paul mean? In the Bible, it says that the Israelites miraculously received water from a rock two times (Exodus 17:1–7 and Numbers 20:1–14). Both times Moses hit the rock, which then produced water, but the text never claims that the Israelites were followed by a water-giving rock. Therefore, what does Paul mean in 1 Corinthians 10:4?

John Byron examines this passage in his Biblical Views column “Paul, Jesus and the Rolling Stone” in the September/October 2015 issue of BAR.

Byron notes that, interestingly, Paul is not the only person to suggest that the Israelites were followed by a water source during their wilderness wanderings. A first-century C.E. source called Pseudo-Philo’s Biblical Antiquities makes a similar claim: “But as for his own people, he led them forth into the wilderness: Forty years did he rain bread from heaven for them, and he brought them quails from the sea, and a well of water following them” (10.7).

MOSES HIT THE ROCK, and water gushed forth—as depicted in this fresco by Raphael Sanzio. Did a water-giving rock follow the Israelites through the wilderness? If not, what does Paul mean in 1 Corinthians 10:4?

Pseudo-Philo claims that a well of water followed the Israelites through the wilderness, whereas in 1 Corinthians 10:4, Paul says that it was a rock that followed them. How did these two ancient interpreters come to their conclusions?

“What they seem to have concluded,” Byron explains, “is that since Moses named both the rock at Rephidim (Exodus 17:7) and the one at Kadesh (Numbers 20:13) ‘Meribah,’ the logical conclusion was that both were one and the same rock and that it, therefore, must have accompanied Israel on their journey.”

1 Corinthians 10:4 reflects a common ancient interpretation—that the Israelites were followed by a water source during their wilderness wanderings, which is demonstrated by Paul’s casual reference and supported by Pseudo-Philo.

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In the passage, Paul makes a second unusual claim: The rock that followed the Israelites through the wilderness was Christ.

How should we respond to these two claims? Was Paul speaking literally or figuratively?

“At the end of the day it’s unclear whether Paul really thought the rock followed Israel in the desert,” Byron says. “Most ancient and modern commentators assume that Paul is reading Israel’s story typologically rather than suggesting that Jesus was present with Israel in the wilderness in the form of a movable water source.”

To see John Byron’s full explanation of 1 Corinthians 10:4, read his column “Paul, Jesus and the Rolling Stone” in the September/October 2015 issue of BAR.

BAS Library Members: Read the full Biblical Views column “Paul, Jesus and the Rolling Stone” by John Byron in the September/October 2015 issue of Biblical Archaeology Review.

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This Bible History Daily feature was originally published on September 7, 2015.

Related reading in Bible History Daily

Exodus in the Bible and the Egyptian Plagues

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Out of Egypt: Israel’s Exodus Between Text and Memory, History and Imagination

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A blanket of snow covers the little town of Bethlehem, in Pieter Bruegel’s oil painting from 1566. Although Jesus’ birth is celebrated every year on December 25, Luke and the other gospel writers offer no hint about the specific time of year he was born. Photo: Scala/Art Resource, NY.

The Bible offers few clues: Celebrations of Jesus’ Nativity are not mentioned in the Gospels or Acts; the date is not given, not even the time of year. The biblical reference to shepherds tending their flocks at night when they hear the news of Jesus’ birth (Luke 2:8) might suggest the spring lambing season; in the cold month of December, on the other hand, sheep might well have been corralled. Yet most scholars would urge caution about extracting such a precise but incidental detail from a narrative whose focus is theological rather than calendrical.

The extrabiblical evidence from the first and second century is equally spare: There is no mention of birth celebrations in the writings of early Christian writers such as Irenaeus (c. 130–200) or Tertullian (c. 160–225). Origen of Alexandria (c. 165–264) goes so far as to mock Roman celebrations of birth anniversaries, dismissing them as “pagan” practices—a strong indication that Jesus’ birth was not marked with similar festivities at that place and time.¹ As far as we can tell, Christmas was not celebrated at all at this point.

This stands in sharp contrast to the very early traditions surrounding Jesus’ last days. Each of the Four Gospels provides detailed information about the time of Jesus’ death. According to John, Jesus is crucified just as the Passover lambs are being sacrificed. This would have occurred on the 14th of the Hebrew month of Nisan, just before the Jewish holiday began at sundown (considered the beginning of the 15th day because in the Hebrew calendar, days begin at sundown). In Matthew, Mark and Luke, however, the Last Supper is held after sundown, on the beginning of the 15th. Jesus is crucified the next morning—still, the 15th.^a

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Easter, a much earlier development than Christmas, was simply the gradual Christian reinterpretation of Passover in terms of Jesus’ Passion. Its observance could even be implied in the New Testament (1 Corinthians 5:7–8: “Our paschal lamb, Christ, has been sacrificed. Therefore let us celebrate the festival…”); it was certainly a distinctively Christian feast by the mid-second century C.E., when the apocryphal text known as the Epistle to the Apostles has Jesus instruct his disciples to “make commemoration of [his] death, that is, the Passover.”

Jesus’ ministry, miracles, Passion and Resurrection were often of most interest to first- and early-second-century C.E. Christian writers. But over time, Jesus’ origins would become of increasing concern. We can begin to see this shift already in the New Testament. The earliest writings—Paul and Mark—make no mention of Jesus’ birth. The Gospels of Matthew and Luke provide well-known but quite different accounts of the event—although neither specifies a date. In the second century C.E., further details of Jesus’ birth and childhood are related in apocryphal writings such as the Infancy Gospel of Thomas and the Proto-Gospel of James.^b These texts provide everything from the names of Jesus’ grandparents to the details of his education—but not the date of his birth.

Finally, in about 200 C.E., a Christian teacher in Egypt makes reference to the date Jesus was born. According to Clement of Alexandria, several different days had been proposed by various Christian groups. Surprising as it may seem, Clement doesn’t mention December 25 at all. Clement writes: “There are those who have determined not only the year of our Lord’s birth, but also the day; and they say that it took place in the 28th year of Augustus, and in the 25th day of [the Egyptian month] Pachon [May 20 in our calendar] … And treating of His Passion, with very great accuracy, some say that it took place in the 16th year of Tiberius, on the 25th of Phamenoth [March 21]; and others on the 25th of Pharmuthi [April 21] and others say that on the 19th of Pharmuthi [April 15] the Savior suffered. Further, others say that He was born on the 24th or 25th of Pharmuthi [April 20 or 21].”²

Clearly there was great uncertainty, but also a considerable amount of interest, in dating Jesus’ birth in the late second century. By the fourth century, however, we find references to two dates that were widely recognized—and now also celebrated—as Jesus’ birthday: December 25 in the western Roman Empire and January 6 in the East (especially in Egypt and Asia Minor). The modern Armenian church continues to celebrate Christmas on January 6; for most Christians, however, December 25 would prevail, while January 6 eventually came to be known as the Feast of the Epiphany, commemorating the arrival of the magi in Bethlehem. The period between became the holiday season later known as the 12 days of Christmas.

The earliest mention of December 25 as Jesus’ birthday comes from a mid-fourth-century Roman almanac that lists the death dates of various Christian bishops and martyrs. The first date listed, December 25, is marked: natus Christus in Betleem Judeae: “Christ was born in Bethlehem of Judea.”³ In about 400 C.E., Augustine of Hippo mentions a local dissident Christian group, the Donatists, who apparently kept Christmas festivals on December 25, but refused to celebrate the Epiphany on January 6, regarding it as an innovation. Since the Donatist group only emerged during the persecution under Diocletian in 312 C.E. and then remained stubbornly attached to the practices of that moment in time, they seem to represent an older North African Christian tradition.

In the East, January 6 was at first not associated with the magi alone, but with the Christmas story as a whole.

So, almost 300 years after Jesus was born, we finally find people observing his birth in mid-winter. But how had they settled on the dates December 25 and January 6?

There are two theories today: one extremely popular, the other less often heard outside scholarly circles (though far more ancient).⁴

The most loudly touted theory about the origins of the Christmas date(s) is that it was borrowed from pagan celebrations. The Romans had their mid-winter Saturnalia festival in late December; barbarian peoples of northern and western Europe kept holidays at similar times. To top it off, in 274 C.E., the Roman emperor Aurelian established a feast of the birth of Sol Invictus (the Unconquered Sun), on December 25. Christmas, the argument goes, is really a spin-off from these pagan solar festivals. According to this theory, early Christians deliberately chose these dates to encourage the spread of Christmas and Christianity throughout the Roman world: If Christmas looked like a pagan holiday, more pagans would be open to both the holiday and the God whose birth it celebrated.

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Despite its popularity today, this theory of Christmas’s origins has its problems. It is not found in any ancient Christian writings, for one thing. Christian authors of the time do note a connection between the solstice and Jesus’ birth: The church father Ambrose (c. 339–397), for example, described Christ as the true sun, who outshone the fallen gods of the old order. But early Christian writers never hint at any recent calendrical engineering; they clearly don’t think the date was chosen by the church. Rather they see the coincidence as a providential sign, as natural proof that God had selected Jesus over the false pagan gods.

It’s not until the 12th century that we find the first suggestion that Jesus’ birth celebration was deliberately set at the time of pagan feasts. A marginal note on a manuscript of the writings of the Syriac biblical commentator Dionysius bar-Salibi states that in ancient times the Christmas holiday was actually shifted from January 6 to December 25 so that it fell on the same date as the pagan Sol Invictus holiday.⁵ In the 18th and 19th centuries, Bible scholars spurred on by the new study of comparative religions latched on to this idea.⁶ They claimed that because the early Christians didn’t know when Jesus was born, they simply assimilated the pagan solstice festival for their own purposes, claiming it as the time of the Messiah’s birth and celebrating it accordingly.

More recent studies have shown that many of the holiday’s modern trappings do reflect pagan customs borrowed much later, as Christianity expanded into northern and western Europe. The Christmas tree, for example, has been linked with late medieval druidic practices. This has only encouraged modern audiences to assume that the date, too, must be pagan.

There are problems with this popular theory, however, as many scholars recognize. Most significantly, the first mention of a date for Christmas (c. 200) and the earliest celebrations that we know about (c. 250–300) come in a period when Christians were not borrowing heavily from pagan traditions of such an obvious character.

Granted, Christian belief and practice were not formed in isolation. Many early elements of Christian worship—including eucharistic meals, meals honoring martyrs and much early Christian funerary art—would have been quite comprehensible to pagan observers. Yet, in the first few centuries C.E., the persecuted Christian minority was greatly concerned with distancing itself from the larger, public pagan religious observances, such as sacrifices, games and holidays. This was still true as late as the violent persecutions of the Christians conducted by the Roman emperor Diocletian between 303 and 312 C.E.

This would change only after Constantine converted to Christianity. From the mid-fourth century on, we do find Christians deliberately adapting and Christianizing pagan festivals. A famous proponent of this practice was Pope Gregory the Great, who, in a letter written in 601 C.E. to a Christian missionary in Britain, recommended that local pagan temples not be destroyed but be converted into churches, and that pagan festivals be celebrated as feasts of Christian martyrs. At this late point, Christmas may well have acquired some pagan trappings. But we don’t have evidence of Christians adopting pagan festivals in the third century, at which point dates for Christmas were established. Thus, it seems unlikely that the date was simply selected to correspond with pagan solar festivals.

The December 25 feast seems to have existed before 312—before Constantine and his conversion, at least. As we have seen, the Donatist Christians in North Africa seem to have known it from before that time. Furthermore, in the mid- to late fourth century, church leaders in the eastern Empire concerned themselves not with introducing a celebration of Jesus’ birthday, but with the addition of the December date to their traditional celebration on January 6.⁷

Read Andrew McGowan’s article “The Hungry Jesus,” in which he challenges the tradition that Jesus was a welcoming host at meals, in Bible History Daily.

There is another way to account for the origins of Christmas on December 25: Strange as it may seem, the key to dating Jesus’ birth may lie in the dating of Jesus’ death at Passover. This view was first suggested to the modern world by French scholar Louis Duchesne in the early 20th century and fully developed by American Thomas Talley in more recent years.⁸ But they were certainly not the first to note a connection between the traditional date of Jesus’ death and his birth.

The baby Jesus flies down from heaven on the back of a cross, in this detail from Master Bertram’s 14th-century Annunciation scene. Jesus’ conception carried with it the promise of salvation through his death. It may be no coincidence, then, that the early church celebrated Jesus’ conception and death on the same calendar day: March 25, exactly nine months before December 25. Kunsthalle, Hamburg/Bridgeman Art Library, NY

Around 200 C.E. Tertullian of Carthage reported the calculation that the 14th of Nisan (the day of the crucifixion according to the Gospel of John) in the year Jesus died^c was equivalent to March 25 in the Roman (solar) calendar.⁹ March 25 is, of course, nine months before December 25; it was later recognized as the Feast of the Annunciation—the commemoration of Jesus’ conception.¹⁰ Thus, Jesus was believed to have been conceived and crucified on the same day of the year. Exactly nine months later, Jesus was born, on December 25.^d

This idea appears in an anonymous Christian treatise titled On Solstices and Equinoxes, which appears to come from fourth-century North Africa. The treatise states: “Therefore our Lord was conceived on the eighth of the kalends of April in the month of March [March 25], which is the day of the passion of the Lord and of his conception. For on that day he was conceived on the same he suffered.”¹¹ Based on this, the treatise dates Jesus’ birth to the winter solstice.

Augustine, too, was familiar with this association. In On the Trinity (c. 399–419) he writes: “For he [Jesus] is believed to have been conceived on the 25th of March, upon which day also he suffered; so the womb of the Virgin, in which he was conceived, where no one of mortals was begotten, corresponds to the new grave in which he was buried, wherein was never man laid, neither before him nor since. But he was born, according to tradition, upon December the 25th.”¹²

Learn about the magi in art and literature in “Witnessing the Divine“ by Robin M. Jensen, originally published in Bible Review and now available for free in Bible History Daily.

In the East, too, the dates of Jesus’ conception and death were linked. But instead of working from the 14th of Nisan in the Hebrew calendar, the easterners used the 14th of the first spring month (Artemisios) in their local Greek calendar—April 6 to us. April 6 is, of course, exactly nine months before January 6—the eastern date for Christmas. In the East, too, we have evidence that April was associated with Jesus’ conception and crucifixion. Bishop Epiphanius of Salamis writes that on April 6, “The lamb was shut up in the spotless womb of the holy virgin, he who took away and takes away in perpetual sacrifice the sins of the world.”¹³ Even today, the Armenian Church celebrates the Annunciation in early April (on the 7th, not the 6th) and Christmas on January 6.^e

Thus, we have Christians in two parts of the world calculating Jesus’ birth on the basis that his death and conception took place on the same day (March 25 or April 6) and coming up with two close but different results (December 25 and January 6).

Connecting Jesus’ conception and death in this way will certainly seem odd to modern readers, but it reflects ancient and medieval understandings of the whole of salvation being bound up together. One of the most poignant expressions of this belief is found in Christian art. In numerous paintings of the angel’s Annunciation to Mary—the moment of Jesus’ conception—the baby Jesus is shown gliding down from heaven on or with a small cross (see photo above of detail from Master Bertram’s Annunciation scene); a visual reminder that the conception brings the promise of salvation through Jesus’ death.

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In the end we are left with a question: How did December 25 become Christmas? We cannot be entirely sure. Elements of the festival that developed from the fourth century until modern times may well derive from pagan traditions. Yet the actual date might really derive more from Judaism—from Jesus’ death at Passover, and from the rabbinic notion that great things might be expected, again and again, at the same time of the year—than from paganism. Then again, in this notion of cycles and the return of God’s redemption, we may perhaps also be touching upon something that the pagan Romans who celebrated Sol Invictus, and many other peoples since, would have understood and claimed for their own, too.¹⁶

Andrew McGowan is Dean and President of the Berkeley Divinity School at Yale and McFaddin Professor of Anglican Studies at Yale Divinity School. Formerly, he was Warden and President of Trinity College at the University of Melbourne, and Joan Munro Professor of Historical Theology in Trinity’s Theological School within the University of Divinity. His work on early Christian thought and history includes Ascetic Eucharists: Food and Drink in Early Christian Ritual Meals (Oxford: Clarendon, 1999) and Ancient Christian Worship: Early Church Practices in Social, Historical, and Theological Perspective (Grand Rapids, MI: Baker Academic, 2014).

Notes

a. See Jonathan Klawans, “Was Jesus’ Last Supper a Seder?” Bible Review, October 2001.

b. See the following Bible Review articles: David R. Cartlidge, “The Christian Apocrypha: Preserved in Art,” Bible Review, June 1997; Ronald F. Hock and David R. Cartlidge, “The Favored One,” Bible Review, June 2001; and Charles W. Hedrick, “The 34 Gospels,” Bible Review, June 2002.

c. For more on dating the year of Jesus’ birth, see Leonora Neville, “Origins: Fixing the Millennium,” Archaeology Odyssey, January/February 2000.

d. The ancients were familiar with the 9-month gestation period based on the observance of women’s menstrual cycles, pregnancies and miscarriages.

e. In the West (and eventually everywhere), the Easter celebration was later shifted from the actual day to the following Sunday. The insistence of the eastern Christians in keeping Easter on the actual 14th day caused a major debate within the church, with the easterners sometimes referred to as the Quartodecimans, or “Fourteenthers.”

1. Origen, Homily on Leviticus 8.

2. Clement, Stromateis 1.21.145. In addition, Christians in Clement’s native Egypt seem to have known a commemoration of Jesus’ baptism—sometimes understood as the moment of his divine choice, and hence as an alternate “incarnation” story—on the same date (Stromateis 1.21.146). See further on this point Thomas J. Talley, Origins of the Liturgical Year, 2nd ed. (Collegeville, MN: Liturgical Press, 1991), pp. 118–120, drawing on Roland H. Bainton, “Basilidian Chronology and New Testament Interpretation,” Journal of Biblical Literature 42 (1923), pp. 81–134; and now especially Gabriele Winkler, “The Appearance of the Light at the Baptism of Jesus and the Origins of the Feast of the Epiphany,” in Maxwell Johnson, ed., Between Memory and Hope: Readings on the Liturgical Year (Collegeville, MN: Liturgical Press, 2000), pp. 291–347.

3. The Philocalian Calendar.

4. Scholars of liturgical history in the English-speaking world are particularly skeptical of the “solstice” connection; see Susan K. Roll, “The Origins of Christmas: The State of the Question,” in Between Memory and Hope: Readings on the Liturgical Year (Collegeville, MN: Liturgical Press, 2000), pp. 273–290, especially pp. 289–290.

5. A gloss on a manuscript of Dionysius Bar Salibi, d. 1171; see Talley, Origins, pp. 101–102.

6. Prominent among these was Paul Ernst Jablonski; on the history of scholarship, see especially Roll, “The Origins of Christmas,” pp. 277–283.

7. For example, Gregory of Nazianzen, Oratio 38; John Chrysostom, In Diem Natalem.

8. Louis Duchesne, Origines du culte Chrétien, 5th ed. (Paris: Thorin et Fontemoing, 1925), pp. 275–279; and Talley, Origins.

9. Tertullian, Adversus Iudaeos 8.

10. There are other relevant texts for this element of argument, including Hippolytus and the (pseudo-Cyprianic) De pascha computus; see Talley, Origins, pp. 86, 90–91.

11. De solstitia et aequinoctia conceptionis et nativitatis domini nostri iesu christi et iohannis baptistae.

12. Augustine, Sermon 202.

13. Epiphanius is quoted in Talley, Origins, p. 98.

14. b. Rosh Hashanah 10b–11a.

15. Talley, Origins, pp. 81–82.

16. On the two theories as false alternatives, see Roll, “Origins of Christmas.”

“How December 25 Became Christmas” by Andrew McGowan originally appeared in Bible Review, December 2002. The article was first republished in Bible History Daily in December 2012.

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Christmas Stories in Christian Apocrypha

Has the Childhood Home of Jesus Been Found?

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The Scandal of Jesus’ Birth

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