Was Mary Magdalene a prostitute? Photo: Private Collection/Bridgeman Art Library/Courtesy of IAP Fine Art.

Was Mary Magdalene a Prostitute?

Was Mary Magdalene a prostitute who repented or simply an influential female follower of Jesus? Mary from Magdala has popularly been saddled with an unfavorable reputation, but how did this notion come about? In From Saint to Sinner, Birger A. Pearson examines how Mary Magdalene’s notoriety emerged in the early Christian tradition. Pearson writes that later interpreters of the Gospels attempted to diminish her “by identifying her with other women mentioned in the Gospels, most notably the unnamed sinful woman who anoints Jesus’ feet with ointment and whose sins he forgives (Luke 7:36–50) and the unnamed woman taken in adultery (John 7:53–8:11).”

Read From Saint to Sinner by Birger A. Pearson as it originally appeared in Bible Review.

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Who was Jezebel? Image: Russell-Cotes Art Gallery and Museum, Bournemouth, UK/Bridgeman Art Library.

Who Was Jezebel? How Bad Was She?

Who was Jezebel? For over 2,000 years, Jezebel, Israel’s most accursed queen, has been condemned as a murderer, a temptress and an enemy of God. Who was Jezebel, really? Was she really that bad? In How Bad Was Jezebel? Janet Howe Gaines rereads the Biblical narrative from the vantage point of the Phoenician wife of King Ahab. As Gaines writes, “To attain a more positive assessment of Jezebel’s troubled reign and a deeper understanding of her role, we must evaluate the motives of the Biblical authors who condemn the queen.”

Read Janet Howe Gaines’s article How Bad Was Jezebel? as it originally appeared in Bible Review.

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Rahab the Harlot or just the inkeeper? Image: CCI/The Art Archive at Art Resource, NY.

Rahab the Harlot?

As described in the Book of Joshua, Rahab (a heroine nonetheless known as “Rahab the Harlot”) assisted two Israelite spies in escaping down the city wall of Jericho. Was Rahab a Biblical prostitute? While the Biblical text identifies her as a zônāh, a prostitute (Joshua 2:1), Josephus reports that she kept an inn. Anthony J. Frendo critically examines the textual evidence.

Read about Anthony J. Frendo’s conclusions on Rahab the Harlot.

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Who is Lilith? Courtesy of Richard Callner, Latham, NY.

Who Is Lilith?

Fertile mother, wilderness demon, sly seductress—the resilient character Lilith has been recast in many roles. Who is Lilith? As Janet Howe Gaines writes, “In most manifestations of her myth, Lilith represents chaos, seduction and ungodliness. Yet, in her every guise, Lilith has cast a spell on humankind.” Follow Lilith’s journey from Babylonian mythology, through the Bible, to medieval lore and modern literature in Lilith by Janet Howe Gaines.

Read Lilith by Janet Howe Gaines as the article originally appeared in Bible Review.

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Related reading in Bible History Daily

Tabitha in the Bible

Deborah in the Bible

Anna in the Bible

The Creation of Woman in the Bible

What Does the Bible Say About Infertility?

5 Ways Women Participated in the Early Church

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Pergamon’s strategic location along both land and sea trading routes contributed to its prosperity. Pilgrims from all over the Mediterranean region would flock to the city to engage in commerce or to visit the famous Ascelpion, a center of medical treatments.

Perched atop a windswept mountain along the Turkish coastline and gazing proudly—almost defiantly—over the azure Aegean Sea sit the ruins of ancient Pergamon. Although the majority of its superb intact monuments now sit in Berlin’s Pergamon Museum, enough remains of the acropolis for the visitor to sense the former greatness of the city that once rivaled Alexandria, Ephesus and Antioch in culture and commerce, and whose scientific advancements in the field of medicine resonate through the corridors of today’s medical treatment facilities.

Juxtaposed sharply against this image of enlightened learning is that of “Satan’s Throne,” as described by the prophet John of Patmos (Revelation 2:12–13), which some scholars interpret as referring to the Great Altar of Pergamon, one of the most magnificent surviving structures from the Greco-Roman world.¹

The modern visitor approaches the site from the steep and winding road that leads from the modern Turkish city of Bergama just a few miles away. Upon reaching the ruins, the commanding panoramic view from Pergamon’s 1,000-foot-high perch makes it easy to understand how this city once dominated the entire region.

It was a proud city in its time, and it had reason to be so. Its monuments and building were constructed of high-quality white marble in the finest Hellenistic style, and its library rivaled that of the famed library of Alexandria in Egypt. In the mid-second century A.D., it became known throughout the Mediterranean world as a center of ancient medicine, largely due to the presence of the eminent Roman physician Galen (c. 129–200 A.D.), who was born in ancient Pergamon.

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Pergamon rose to prominence during the years of the Greek empire’s division following the death of Alexander the Great in 323 B.C. His short-lived empire was partitioned among his generals, with General Lysimachus inheriting the then-settlement of Pergamon and its wealth. Due largely to its strategic position along land and sea trading routes and in part to the wealth of the Attalid kings who ruled the kingdom, the city enjoyed centuries of prosperity that continued when it passed peacefully to Rome’s control in 133 B.C. From that point on, Pergamon’s fate was inextricably linked to that of Rome, and it rose and fell in tandem with the great Roman Empire.

Pergamon’s strategic location along both land and sea trading routes contributed to its prosperity. Pilgrims from all over the Mediterranean region would flock to the city to engage in commerce or to visit the famous Ascelpion, a center of medical treatments. Biblical Archaeology Society.

The oldest and arguably most beautiful section of Pergamon is also its highest. The acropolis of Pergamon rises triumphantly over the ruins of the city that cascades down the steep slopes to the valley below. One of the most dramatic structures of the acropolis was what scholars believe to be the Temple of Zeus, the massive foundations of which are all that remain on the southern slope of the site. The altar believed to be associated with the temple, known today as the Great Altar of Pergamon, was moved to Berlin in the 19th century by German archaeologists, who evidently had an easy time getting permission for its removal from the indifferent authorities of the Ottoman empire.

Walking north from the Temple of Zeus and site of the Great Altar of Pergamon, one encounters the remains of the Temple of Athena, constructed at the end of the fourth century or beginning of the third century B.C., and dedicated to the city’s patron goddess. Just beyond that to the northwest is the magnificent structure that was the city’s famous library. While the estimated 200,000 documents of both papyrus and parchment may be rather high (Seneca estimates that approximately 40,000 volumes were catalogued in the larger library of Alexandria), it was certainly one of the largest collections of written material in the ancient world and was famous throughout the Mediterranean. It also housed one of the most extravagant wedding gifts of all time: Mark Antony is said to have presented Cleopatra with a sizable portion of the Pergamon library’s collection, in part to restore Alexandria’s own collection that went up in flames during Julius Caesar’s occupation of the city.

The Great Altar of Pergamon is considered to be one of the greatest surviving monuments from antiquity. Now located in the Pergamon Museum in Berlin, Germany, the altar is thought by many scholars to be the “throne of Satan,” referred to by the prophet John in the Book of Revelations. (Revelation 2:12–13) Honza78, CC BY-SA 4.0, via Wikimedia Commons.

The best-preserved ancient sacred structure on ancient Pergamon’s acropolis is the Temple of Trajan, built during the reign of Emperor Hadrian (117–138 A.D.) and dedicated to his deified predecessor. Towering imposingly over the surrounding structures and ruins, its commanding presence is a testament to the strength of the imperial cult.

Read “Who Is Satan?“ and “How the Serpent Became Satan“ in Bible History Daily.

The Temple of Trajan, or the Trajaneum. The towering structure attests to the strength of the imperial cult in the city. After Augustus became the first emperor of the Roman Empire, Pergamon was authorized to become the first imperial cult center in the east.

It is hard to imagine, gazing up at its enormous height, that this was actually one of the smaller sacred structures in the temple precinct of the acropolis. The sheer size and majesty of the building against the dramatic backdrop of the valley below and the ocean and sky beyond is truly awe-inspiring.

Every ancient Greek city worth its name boasted a theater. A place for both entertainment and civic gatherings, the theater was a focal point of public life in the Greco-Roman world. The architecture of the nearly intact theater of Pergamon not only attests to the city’s importance but also provides what is surely one of the most spectacular—and dizzying—settings of the ancient world. Cascading sharply down the precipitous slope of the acropolis toward the sea, the theater is one of the steepest of its kind. The 10,000 visitors would have had to carefully navigate the 80 rows of horizontal seating, lest they take a fatal tumble to the stage more than 120 vertical feet below. Like many ancient Greek theaters, the theater at Pergamon is an acoustic marvel: An actor (or tourist) speaking normally on the stage can be heard even at the top of the cavea (seating structure).

During the second century A.D., Pergamon’s fame as a center of healing and medical science eclipsed its reputation for anything else. Its most celebrated citizen during this period was the physician Galen, whose work and research was largely responsible for providing the foundation from which modern western medicine was to spring. The asclepion at ancient Pergamon was one of the most famous in the ancient world, and this ancient version of a medical spa attracted pilgrims from all over the Mediterranean region who came seeking the restorative powers of its thermal waters and medical treatments for various ailments and injuries.

Given the fact that the city represented the epitome of Hellenistic culture, traditions and religion in both its pursuits and its very architecture, it is perhaps not surprising that early Christians viewed it as a bastion of all that was anathematic to Christian beliefs. In the Book of Revelation, John conveys a message from the risen Christ to seven Christian congregations in Asia Minor, all of which are located in modern Turkey. Pergamon’s congregation was one of these, and Christ’s message to the faithful praises them for adhering to their faith while living in the place “where Satan dwells.” Antipas, a Christian bishop of Pergamon, was believed to have been martyred here at the end of the first century A.D., around the time when many scholars believe the Book of Revelation was composed. The execution of their bishop certainly would not have endeared the city to its Christian inhabitants, and the Biblical reference to the city is reflective of the general tension between Christian and pagan communities at the end of the first century A.D.

Overcoming vertigo, the author stands in the middle tier of the three-tiered theater of Pergamon, the steepest known theater from the Greco-Roman world.

As part of the Roman Empire, Pergamon’s decline mirrored that of the empire as a whole. Like the rest of the region, it eventually came under Byzantine and then Ottoman rule. By the late 19th century, excavations had begun at the ancient site, and today it draws people from all over the world. Climbing up to the peak of the acropolis, the modern visitor can easily sense the echo of Pergamon’s glorious past, which can still be heard among the beauty of its marble ruins today.

Notes

1. See Adela Yarbro Colins, “Satan’s Throne,” BAR, May/June 2006.

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Sarah Yeomans is an archaeologist specializing in the Imperial period of the Roman Empire with a particular emphasis on ancient science and religion. Currently pursuing her doctorate at the University of Southern California,  A native Californian, Sarah holds an M.A. in archaeology from the University of Sheffield, England, and a M.A. in art history from the University of Southern California. She has conducted archaeological fieldwork in Israel, Italy, Turkey, France, and England and has worked on several television and film productions, most recently as an interviewed expert on The Story of God with Morgan Freeman. She is a Provost Fellow at the University of Southern California and is the recipient of a Research Fellowship from the American Research Institute of Turkey (ARIT) as well as a Mayers Fellowship at the Huntington Library and Museum in Los Angeles. Her current research involves ancient Roman medical technology and cult, as well as the impact of epidemics on Roman society. She is generally happiest when covered in dirt, roaming archaeological sites somewhere in the Mediterranean region.

This Bible History Daily article was originally published on July 16, 2013.

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The presepio (nativity scene) is a centuries-old craft and one of Naples’s best-known traditions. This Neapolitan presepio was displayed in Rome. Photo: Howard Hudson / Wikimedia Commons.

One of the most familiar images of the Christmas season is the nativity scene—the well-known depiction of Jesus’ birth—displayed in an array of public and private settings, including churches, parks, store windows and on fireplace mantles.

The scene, first assembled by St. Francis of Assisi in 1223, is iconographic, meaning its various elements are intended primarily to depict theological—not historical, nor even literary—truths. It harmonizes two very distinct stories: Luke’s birth of Jesus in a stable, visited by shepherds, and attended by an angelic host and Matthew’s Magi, who are led by a star to the home of Jesus’ family sometime before Jesus’ second birthday.

To most people viewing the nativity scene, it depicts the birth of Jesus as it happened, with farm animals, shepherds, angels and Magi crowding the Bethlehem stable. But the combination is apocryphal, in the wide sense that the complete scene is not an accurate reflection of what the Biblical texts say about Jesus’ birth and in the narrow sense that such harmonization of Matthew and Luke is a common feature of noncanonical Christian infancy gospels.

Actually, these gospels not only combine the Biblical stories, they enhance them, with additional traditions about the birth of Jesus that circulated in antiquity. Of course most Christians throughout history were unaware of this distinction; before widespread literacy, Christians told the story of Jesus’ birth without awareness of which elements were based on Scripture and which were not.

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The Christian Apocrypha are rich with tales of the birth of Jesus. The earliest and most well-known of these are the stories found in the Protevangelium (or “Proto-Gospel”) of James. Composed in the late second century, this text combines the infancy narratives of Matthew and Luke with other traditions, including stories of the Virgin Mary’s own birth and upbringing. The Protevangelium was exceptionally popular—hundreds of manuscripts of the text exist today in a variety of languages, and it has profoundly influenced Christian liturgy and teachings about Mary.

The Protevangelium was transmitted in the West as part of the Gospel of Pseudo-Matthew, which added to it tales of the Holy Family’s sojourn in Egypt and, in some manuscripts, stories of Jesus’ childhood taken from the Infancy Gospel of Thomas. Other Pseudo-Matthew manuscripts incorporate a different telling of Jesus’ birth from an otherwise lost gospel that scholars call the Book about the Birth of the Savior.

In the East, the Protevangelium was translated into Syriac and expanded with a different set of stories set in Egypt to form the Life of the Blessed Virgin Mary, which was later translated into Arabic as the Arabic Infancy Gospel. Another Syriac reworking of the Protevangelium lies behind the Armenian Infancy Gospel. Christians in the East also expanded on Matthew’s Magi traditions creating the Revelation of the Magi, the Legend of Aphroditianus, and On the Star (erroneously attributed to Eusebius of Caesarea), each of which in their own way narrates how the Magi became aware that the star heralded the birth of a king.

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This small tripartite painting, The Nativity with the Prophets Isaiah and Ezekiel, is part of a massive altarpiece known as the Maestà. Composed of many individual paintings, the Maestà was commissioned by the Italian city of Siena in 1308 from the artist Duccio di Buoninsegna. It contains elements of the birth of Jesus from Christian Apocrypha, including the cave, the ox, the ass and the midwife. Photo: Courtesy National Gallery of Art, Washington.

If readers of these apocryphal texts could see the modern nativity scenes, they would be surprised to find the baby Jesus in a stable: In the infancy gospels, the birth takes place in a cave outside of Bethlehem, the same location given also by Justin Martyr (in his Dialogue with Trypho 78), who died around 165 C.E. They might have expected also to see a midwife in the scene; indeed, she does appear regularly in Eastern Orthodox depictions of the nativity, helping Mary bathe the newborn.

As the Protevangelium tells it, Joseph left Mary in the cave and went into Bethlehem to find a midwife. But as Joseph and the midwife approached the cave, they saw a bright cloud overshadowing it. The cloud then disappeared into the cave and a great light appeared, which withdrew and revealed the baby Jesus. Each of the later expansions of the Protevangelium narrate this scene in their own unique way, but they all endeavor to show that Jesus was not born in a natural manner, thus allowing Mary to remain physically a virgin after the birth.

So superhuman is Jesus that some texts report that he could be perceived in multiple forms. The Armenian Infancy Gospel, for example, reports that the Magi each saw him in a different way: as the Son of God on a throne, as the Son of Man surrounded by armies, and as a man tortured, dead and resurrected.

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The apocryphal accounts agree with Luke that the shepherds visited the Holy Family shortly after Jesus’ birth. In the Western texts, the family then moves from the cave to a stable and places the baby in a manger. There an ox and an ass bend their knees and worship him, fulfilling the prophecy of Isaiah 1:3, “The ox knows its owner, and the donkey its master’s crib” (see Pseudo-Matthew 14 and Birth of the Savior 86). Though an apocryphal embellishment, the animals became a common ingredient in subsequent depictions of the nativity and may be observable in nativity scenes today.

Tony Burke challenges the assertion that Christian apocrypha were truly rejected, suppressed and destroyed throughout Christian history. Read more >>

Most often, the cave remains the scene of subsequent events, including the circumcision (from Luke 2:21) and the visit of the Magi. The Magi are typically depicted in art and iconography as three richly-adorned Persian kings. However, Matthew calls them only “magi from the East” (Matthew 2:1) and does not say how many there were. The writers of the apocryphal texts did their best to clarify these matters. In the Revelation of the Magi, there are at least twelve Magi—the same number is given in other Syriac traditions—and they came to Bethlehem in April (not December) from a land in the Far East called “Shir,” perhaps meant to be understood as China. The Armenian Infancy Gospel says there were three kings, and they were accompanied by 12 commanders, each with an army of 1,000 men, which would make for a very crowded stable indeed.

Many of the texts continue the story of the Magi and tell what happened when they returned to their home country: In the Life of the Blessed Virgin (=Arabic Infancy Gospel) they bring back one of Jesus’ swaddling bands, which they worship because it has miraculous properties; in the Revelation of the Magi they share the vision-inducing food (some kind of magic mushrooms?) given to them by the star; and in the Legend of Aphroditianus they return with a painting of Jesus and his mother. None of these apocryphal Magi traditions are featured in nativity scenes today, but some of them influenced medieval art and literature.

Christians of all times and places have delighted in the story of Jesus’ birth, so much that they have yearned to learn more about the first Christmas than is found in the Biblical accounts. The Christmas nativity scene is the outcome of efforts by creative and pious writers to fill in blanks left by Matthew and Luke and to combine multiple traditions, Biblical and non-Biblical, into one enduring image. The nativity scene is a timeless representation of when God became man; it is also a testament to human imagination and the art of storytelling.

This Bible History Daily article was originally published on December 10, 2014.

Tony Burke is an associate professor in the Department of the Humanities at York University and the author of Secret Scriptures Revealed: A New Introduction to the Christian Apocrypha (London: SPCK, 2013). Burke’s research interests include the study of Christian biographical literature of the second century (infancy gospels), children and the family in Roman antiquity, curses and non-canonical Jewish and Christian writings. Follow his work at www.tonyburke.ca.

Related reading in Bible History Daily

Did Jesus Exist? Searching for Evidence Beyond the Bible

How December 25 Became Christmas

Witnessing the Divine

Where Was Jesus Born?

Who Was Jesus’ Biological Father?

Why Did the Magi Bring Gold, Frankincense and Myrrh?

Has the Childhood Home of Jesus Been Found?

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Map of New Testament Jerusalem, outlining the Old City walls and subsequent enclosures added by Herod the Great and Agrippa I. Click map to enlarge. Map courtesy James Tabor.

On Wednesday Jesus began to make plans for Passover. He sent two of his disciples into the city to prepare a large second-­story guest room where he could gather secretly and safely with his inner group. He knew someone with such a room available and he had prearranged for its use.

Christian pilgrims today are shown a Crusader site known as the Cenacle or “Upper Room” on the Western Hill of Jerusalem that the Crusaders misnamed “Mount Zion.” This area was part of the “Upper City” where Herod had built his palace. It is topographically higher than even the Temple Mount.

It was the grandest section of ancient Jerusalem with broad streets and plazas and the palatial homes of the wealthy. Bargil Pixner and others have also argued that the southwest edge of Mt Zion contained an “Essene Quarter,” with more modest dwellings and its own “Essene” Gate mentioned by Josephus – see his article “Jerusalem’s Essene Gateway“.

Jesus tells his two disciples to “follow a man carrying a jug of water,” who will enter the city, and then enter a certain house. The only water source was in the southern part of the lower city of Jerusalem, the recently uncovered Pool of Siloam. This mysterious man apparently walked up the slope of Mt Zion and entered the city–likely at the Essene Gate. The house is large enough to have an upper story and likely belonged to a wealthy sympathizer of Jesus, perhaps associated with the Essenes. Later this property became the HQ of the Jesus movement led by James the brother of Jesus – see Pixner’s article “The Church of the Apostles Found on Mt Zion”.

Later Christian tradition put Jesus’ last meal with his disciples on Thursday evening and his crucifixion on Friday. We now know that is one day off. Jesus’ last meal was Wednesday night, and he was crucified on Thursday, the 14th of the Jewish month Nisan. The Passover meal itself was eaten Thursday night, at sundown, as the 15th of Nisan began. Jesus never ate that Passover meal. He had died at 3 p.m. on Thursday.

The confusion arose because all the gospels say that there was a rush to get his body off the cross and buried before sundown because the “Sabbath” was near. Everyone assumed the reference to the Sabbath had to be Saturday—so the crucifixion must have been on a Friday. However, as Jews know, the day of Passover itself is also a “Sabbath” or rest day—no matter what weekday it falls on. In the year a.d. 30, Friday the 15th of the Nisan was also a Sabbath—so two Sabbaths occurred back to back—Friday and Saturday. Matthew seems to know this as he says that the women who visited Jesus’ tomb came early Sunday morning “after the Sabbaths”—the original Greek is plural (Matthew 28:1).

As is often the case, the gospel of John preserves a more accurate chronology of what went on. John specifies that the Wednesday night “last supper” was “before the festival of Passover.” He also notes that when Jesus’ accusers delivered him to be crucified on Thursday morning they would not enter ­Pilate’s courtyard because they would be defiled and would not be able to eat the Passover that evening (John 18:28). John knows that the Jews would be eating their traditional Passover, or Seder meal, Thursday evening.

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Reading Mark, Matthew, and Luke one can get the impression that the “last supper” was the Passover meal. Some have even argued that Jesus might have eaten the Passover meal a day early—knowing ahead of time that he would be dead. But the fact is, Jesus ate no Passover meal in 30 CE. When the Passover meal began at sundown on Thursday, Jesus was dead. He had been hastily put in a tomb until after the festival when a proper funeral could be arranged.

There are some hints outside of ­John’s gospel that such was the case. In Luke, for example, Jesus tells his followers at that last meal: “I earnestly wanted to eat this Passover with you before I suffer but I ­won’t eat it until it is fulfilled in the kingdom of God” (Luke 22:14–16). A later copyist of the manuscript inserted the word “again” to make it say “I ­won’t eat it again,” since the tradition had developed that Jesus did observe Passover that night and changed its observance to the Christian Eucharist or Mass. Another indication that this is not a Passover meal is that all our records report that Jesus shared “a loaf of bread” with his disciples, using the Greek word (artos) that refers to an ordinary loaf—not to the unleavened flatbread or matzos that Jews eat with their Passover meals. Also, when Paul refers to the “last supper” he significantly does not say “on the night of Passover,” but rather “on the night Jesus was betrayed,” and he also mentions the “loaf of bread” (1 Corinthians 11:23). If this meal had been the Passover, Paul would have surely wanted to say that, but he does not.

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As late as Wednesday morning Jesus had still intended to eat the Passover on Thursday night. When he sent his two disciples into the city he instructed them to begin to make the preparations. His enemies had determined not to try to arrest him during the feast “lest there be a riot of the people” (Mark 14:2). That meant he was likely “safe” for the next week, since the “feast” included the seven days of Unleavened Bread that followed the Passover meal. Passover is the most family-­oriented festival in Jewish tradition. As head of his household Jesus would have gathered with his mother, his sisters, the women who had come with him from Galilee, perhaps some of his close supporters in Jerusalem, and his Council of Twelve. It is inconceivable that a Jewish head of a household would eat the Passover segregated from his family with twelve male disciples. This was no Passover meal. Something had gone terribly wrong so that all his Passover plans were changed.

Jesus had planned a special meal Wednesday evening alone with his Council of Twelve in the upper room of the guesthouse in the lower city. The events of the past few days had brought things to a crisis and he knew the confrontation with the authorities was unavoidable. In the coming days he expected to be arrested, delivered to the Romans, and possibly crucified. He had intentionally chosen the time and the place—Passover in Jerusalem—to confront the powers that be. There was much of a private nature to discuss with those upon whom he most depended in the critical days ahead. He firmly believed that if he and his followers offered themselves up, placing their fate in ­God’s hands, that the Kingdom of God would manifest itself. He had intentionally fulfilled two of Zechariah’s prophecies—riding into the city as King on the foal, and symbolically removing the “traders” from the “house of God.”

At some point that day Jesus had learned that Judas Iscariot, one of his trusted Council of Twelve, had struck a deal with his enemies to have Jesus arrested whenever there was an opportunity to get him alone, away from the crowds. How Jesus knew of the plot we are not told but during the meal he said openly, “One of you who is eating with me will betray me” (Mark 14:18). His life seemed to be unfolding according to some scriptural plan. Had not David written in the Psalms, “Even my bosom friend, in whom I trusted, who ate of my bread, has lifted the heel against me” (Psalm 41:9). History has a strange way of repeating itself. Over a hundred years earlier, the Teacher of Righteousness who led the Dead Sea Scroll community had quoted that very Psalm when one of his inner “Council” had betrayed him.

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Ironically our earliest account of that last meal on Wednesday night comes from Paul, not from any of our gospels. In a letter to his followers in the Greek city of Corinth, written around a.d. 54, Paul passes on a tradition that he says he “received” from Jesus: “Jesus on the night he was betrayed took a loaf of bread, and when he had given thanks, he broke it and said, ‘This is my body that is broken for you. Do this in remembrance of me.’ In the same way he took the cup also, after supper, saying, ‘This cup is the new covenant in my blood. Do this, as often as you drink it, in remembrance of me’” (1 Corinthians 11:23–25).

These words, which are familiar to Christians as part of the Eucharist or the Mass, are repeated with only slight variations in Mark, Matthew, and Luke. They represent the epitome of Christian faith, the pillar of the Christian Gospel: all humankind is saved from sins by the sacrificed body and blood of Jesus. What is the historical likelihood that this tradition, based on what Paul said he “received” from Jesus, represents what Jesus said at that last meal? As surprising as it might sound, there are some legitimate problems to consider.

Read Andrew McGowan’s article “The Hungry Jesus,” in which he challenges the tradition that Jesus was a welcoming host at meals, in Bible History Daily.

The Catacombs of Santa Priscilla features a fresco in the Greek Chapel of a banquet dating to the 3rd century – possibly referencing the Eucharistic banquet – with seven figures including a young man breaking bread and a veiled woman. Image courtesy James Tabor.

At every Jewish meal, bread is broken, wine is shared, and blessings are said over each—but the idea of eating human flesh and drinking blood, even symbolically, is completely alien to Judaism. The Torah specifically forbids the consuming of blood, not just for Israelites but anyone. Noah and his descendants, as representatives of all humanity, were first given the prohibition against “eating blood” (Genesis 9:4). Moses had warned, “If anyone of the house of Israel or the Gentiles who reside among them eats any blood I will set my face against that person who eats blood and will cut that person off from the people” (Leviticus 17:10). James, the brother of Jesus, later mentions this as one of the “necessary requirements” for non-­Jews to join the Nazarene community—they are not to eat blood (Acts 15:20). These restrictions concern the blood of animals. Consuming human flesh and blood was not forbidden, it was simply inconceivable. This general sensitivity to the very idea of “drinking blood” precludes the likelihood that Jesus would have used such
symbols.

The Essene community at Qumran described in one of its scrolls a “messianic banquet” of the future at which the Priestly Messiah and the Davidic Messiah sit together with the community and bless their sacred meal of bread and wine, passing it to the community of believers, as a celebration of the Kingdom of God. They would surely have been appalled at any symbolism suggesting the bread was human flesh and the wine was blood. Such an idea simply could not have come from Jesus as a Jew.

So where does this language originate? If it first surfaces in Paul, and he did not in fact get it from Jesus, then what was its source? The closest parallels are certain Greco-­Roman magical rites. We have a Greek papyrus that records a love spell in which a male pronounces certain incantations over a cup of wine that represents the blood that the Egyptian god Osiris had given to his consort Isis to make her feel love for him. When his lover drinks the wine, she symbolically unites with her beloved by consuming his blood. In another text the wine is made into the flesh of Osiris. The symbolic eating of “flesh” and drinking of “blood” was a magical rite of union in Greco-­Roman culture.

Read Jonathan Klawans’s Bible Review article Was Jesus’ Last Supper a Seder? and his updated article Jesus’ Last Supper Still Wasn’t a Passover Seder Meal online for free in Bible History Daily.

We have to consider that Paul grew up in the Greco-­Roman culture of the city of Tarsus in Asia Minor, outside the land of Israel. He never met or talked to Jesus. The connection he claims to Jesus is a “visionary” one, not Jesus as a flesh-and-blood human being walking the earth. See my book, Paul and Jesus for a full elaboration of the implications of Paul’s visionary revelations. When the Twelve met to replace Judas, after Jesus had been killed, they insisted that to be part of their group one had to have been with Jesus from the time of John the Baptizer through his crucifixion (Acts 1:21–22). Seeing visions and hearing voices were not accepted as qualifications for an apostle.

Second, and even more telling, the gospel of John recounts the events of that last Wednesday night meal but there is absolutely no reference to these words of Jesus instituting this new ceremony of the Eucharist. If Jesus in fact had inaugurated the practice of eating bread as his body, and drinking wine as his blood at this “last supper” how could John possibly have left it out? What John writes is that Jesus sat down to the supper, by all indications an ordinary Jewish meal. After supper he got up, took a basin of water and a cloth, and began to wash his disciples’ feet as an example of how a Teacher and Master should act as a servant—even to his disciples. Jesus then began to talk about how he was to be betrayed and John tells us that Judas abruptly left the meal.

Mark’s gospel is very close in its theological ideas to those of Paul. It seems likely that Mark, writing a decade after ­Paul’s account of the last supper, inserts this “eat my body” and “drink my blood” tradition into his gospel, influenced by what Paul has claimed to have received. Matthew and Luke both base their narratives wholly upon Mark, and Luke is an unabashed advocate of Paul as well. Everything seems to trace back to Paul. As we will see, there is no evidence that the original Jewish followers of Jesus, led by Jesus’ brother James, headquartered in Jerusalem, ever practiced any rite of this type. Like all Jews they did sanctify wine and bread as part of a sacred meal, and they likely looked back to the “night he was betrayed,” remembering that last meal with Jesus.

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What we really need to resolve this matter is an independent source of some type, one that is Christian but not influenced by Paul, that might shed light on the original practice of Jesus’ followers. Fortunately, in 1873 in a library at Constantinople, just such a text turned up. It is called the Didache and dates to the early 2nd century CE. It had been mentioned by early church writers but had disappeared until a Greek priest, Father Bryennios, discovered it in an archive of old manuscripts quite by accident. The title Didache in Greek means “Teaching” and its full title is “The Teaching of the Twelve Apostles.” It is a type of early Christian “instruction manual” probably written for candidates for Christian baptism to study. It has lots of ethical instructions and exhortations but also sections on baptism and the Eucharist—the sacred meal of bread and wine. And that is where the surprise comes. It offers the following blessings over wine and bread:

With respect to the Eucharist you shall give thanks as follows. First with respect to the cup: “We give you thanks our Father for the holy vine of David, your child which you made known to us through Jesus your child. To you be the glory forever.” And with respect to the bread: “We give you thanks our Father for the life and knowledge that you made known to us through Jesus your child. To you be the glory forever.”

Notice there is no mention of the wine representing blood or the bread representing flesh. And yet this is a record of the early Christian Eucharist meal! This text reminds us very much of the descriptions of the sacred messianic meal in the Dead Sea Scrolls. Here we have a messianic celebration of Jesus as the Davidic Messiah and the life and knowledge that he has brought to the community. Evidently this community of Jesus’ followers knew nothing about the ceremony that Paul advocates. If ­Paul’s practice had truly come from Jesus surely this text would have included it.

There is another important point in this regard. In Jewish tradition it is the cup of wine that is blessed first, then the bread. That is the order we find here in the Didache. But in ­Paul’s account of the ­“Lord’s Supper” he has Jesus bless the bread first, then the cup of wine—just the reverse. It might seem an unimportant detail until one examines ­Luke’s account of the words of Jesus at the meal. Although he basically follows the tradition from Paul, unlike Paul Luke reports first a cup of wine, then the bread, and then another cup of wine! The bread and the second cup of wine he interprets as the “body” and “blood” of Jesus. But with respect to the first cup—in the order one would expect from Jewish tradition—there is nothing said about it representing “blood.” Rather Jesus says, “I tell you that from now on I will not drink of the fruit of the vine until the kingdom comes” (Luke 22:18). This tradition of the first cup, found now only in Luke, is a leftover clue of what must have been the original tradition before the Pauline version was inserted, now confirmed by the Didache.

More by James Tabor in Bible History Daily

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Can a Pre-Christian Version of the Book of Revelation be Recovered?

The “Strange” Ending of the Gospel of Mark and Why It Makes All the Difference

The Making of a Messiah

Understood in this light, this last meal makes historical sense. Jesus told his closest followers, gathered in secret in the Upper Room, that he will not share another meal with them until the Kingdom of God comes. He knows that Judas will initiate events that very night, leading to his arrest. His hope and prayer is that the next time they sit down together to eat, giving the traditional Jewish blessing over wine and bread—the Kingdom of God will have come.

Since Jesus met only with his Council of Twelve for that final private meal, then James as well as Jesus’ other three brothers would have been present. This is confirmed in a lost text called the Gospel of the Hebrews that was used by Jewish-­Christians who rejected ­Paul’s teachings and authority. It survives only in a few quotations that were preserved by Christian writers such as Jerome. In one passage we are told that James the brother of Jesus, after drinking from the cup Jesus passed around, pledged that he too would not eat or drink again until he saw the kingdom arrive. So here we have textual evidence of a tradition that remembers James as being present at the last meal.

In the gospel of John there are cryptic references to James. Half a dozen times John mentions a mysterious unnamed figure that he calls “the disciple whom Jesus loved.” The two are very close; in fact this unnamed disciple is seated next to Jesus either at his right or left hand. He leaned back and put his head on Jesus’ breast during the meal (John 13:23). He is the one to whom Jesus whispers that Judas is the betrayer. Even though tradition holds that this is John the fisherman, one of the sons of Zebedee, it makes much better sense that such intimacy was shared between Jesus and his younger brother James. After all, from the few stories we have about John son of Zebedee, he has a fiery and ambitious personality—Jesus had nicknamed him and his brother the “sons of Thunder.” They are the two that had tried to obtain the two chief seats on the Council of Twelve, one asking for the right hand, the other the left. On another occasion they asked Jesus for permission to call down fire from heaven to consume a village that had not accepted their preaching (Luke 9:54). On both occasions Jesus had rebuked them. The image we get of John son of Zebedee is quite opposite from the tender intimacy of the “disciple whom Jesus loved.” No matter how ingrained the image might be in Christian imagination, it makes no sense to imagine John son of Zebedee seated next to Jesus, and leaning on his breast.

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Late that night, after the meal and its conversations, Jesus led his band of eleven disciples outside the lower city, across the Kidron Valley, to a thick secluded grove of olive trees called Gethsemane at the foot of the Mount of Olives. Judas knew the place well because Jesus often used it as a place of solitude and privacy to meet with his disciples (John 18:2). Judas had gone into the city to alert the authorities of this rare opportunity to confront Jesus at night and away from the crowds.

It was getting late and Jesus’ disciples were tired and drowsy. Sleep was the last thing on Jesus’ mind, and he was never to sleep again. His all-­night ordeal was about to begin. He began to feel very distressed, fearful, and deeply grieved. He wanted to pray for strength for the trials that he knew would soon begin. Mark tells us that he prayed that if possible the “cup would be removed from him” (Mark 14:36). Jesus urged his disciples to pray with him but the meal, the wine, and the late hour took their toll. They all fell asleep.

Dr. James Tabor is Chair of the Department of Religious Studies at the University of North Carolina at Charlotte where he is professor of Christian origins and ancient Judaism. Since earning his Ph.D. at the University of Chicago in 1981, Tabor has combined his work on ancient texts with extensive field work in archaeology in Israel and Jordan, including work at Qumran, Sepphoris, Masada, Wadi el-Yabis in Jordan. Over the past decade he has teamed up with with Shimon Gibson to excavate the “John the Baptist” cave at Suba, the “Tomb of the Shroud” discovered in 2000, Mt Zion and, along with Rami Arav, he has been involved in the re-exploration of two tombs in East Talpiot including the controversial “Jesus tomb.” Tabor is the author of the popular Taborblog, and several of his recent posts have been featured in Bible History Daily as well as the Huffington Post. His latest book, Paul and Jesus: How the Apostle Transformed Christianity has become a immediately popular with specialists and non-specialists alike. You can find links to all of Dr. Tabor’s web pages, books, and projects at jamestabor.com.

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The post The Last Days of Jesus: A Final “Messianic” Meal appeared first on Biblical Archaeology Society.

And Jesus went throughout Galilee, teaching and proclaiming the gospel of the kingdom and healing every disease and every sickness among the people. And his fame spread into all of Syria, and they brought to him those who were ill, and Jesus cured them.

Readers of the above quote have every reason to feel confused. Gospel of healing? And what’s with the rest of the text, which doesn’t quite agree with the canonical gospel attributed to Matthew? Indeed, this somewhat imprecise citation of Matthew 4:23–24 is not an excerpt from a Bible codex. The text was found inscribed on a piece of parchment excavated a hundred years ago at the site of ancient Oxyrhynchus in Egypt. Dating to the sixth or seventh century and measuring about 2 1/3 by 4 1/3 inches, the scrap—first published in 1911 (as P. Oxy. 8.1077)—is a Christian amulet (see image below).

Relying on the healing powers of a sacred text, this sixth-century Christian amulet from the Robert C. Horn Papyri Collection contains a redacted version of Matthew 4:23–24, where Jesus is described as “healing every disease and every sickness.” For added effect, the gospel text is inscribed in five columns arranged in the form of crosses and is accompanied by a human bust of uncertain meaning. The cut-out rectangles and notched edges are doubtless intentional, too. Photo: Courtesy of Special Collections and Archives, Trexler Library, Muhlenberg College.

Just like their pagan neighbors, Jesus’s followers of the first Christian centuries would commonly resort to protection amulets to guard themselves from illness and any kind of harm. Although the Church authorities used to refute what they saw as a superstition and an abomination to the Christian faith, the pagan practice of wearing protection amulets survived well into the second half of the first millennium, with some clergy even participating.

In his article “Christian Amulets—A Bit of Old, a Bit of New” in the September/October 2018 issue of BAR, Theodore de Bruyn of the Department of Classics and Religious Studies at the University of Ottawa says that the advent of Christianity did not put an end to the pagan practice of wearing protection amulets, at least not immediately. “Rather,” explains de Bruyn, “the new faith brought an adaptation of the existing pagan practice. […] Amulets, according to many, were just a traditional means of warding off evil and healing illness.”

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Among those who forcefully spoke against the amulets, encouraging his fellow Christians to pray and make the sign of the cross rather than rely upon superstitions, was Athanasius of Alexandria, a fourth-century bishop and one of the Church fathers. Athanasius writes:

Let anyone who should get seriously ill recite the psalm “I said, ‘O Lord, be gracious to me; heal me, for I have sinned against you’ [Psalm 41:4],” because by recurring to the prayer and imploring the divine grace, he will follow the heavenly wisdom that states, “My child, when you are ill, do not delay, but pray to the Lord, and he will heal you” [Sirach 38:9]. Amulets, in fact, and sorceries are useless in securing help. And if someone consulted these, let him know this distinctly, that he has made himself instead of a believer, an unbeliever; instead of a Christian, a pagan; instead of an intelligent person, an unintelligent one; instead of a rational person, an irrational one […] betraying the seal of the cross that brought you salvation. Not only are the illnesses afraid of that seal, but also the whole crowd of demons fears and wonders at it.¹

The example pictured above represents only one type of textual amulets, namely the healing amulets, which typically invoke the curative powers of Jesus or Christian saints. To learn about other kinds of protection amulets and the early Christian practice of wearing amulets, read “Christian Amulets—A Bit of Old, a Bit of New” by Theodore de Bruyn in the September/October 2018 issue of Biblical Archaeology Review.

Subscribers: Read the full article “Christian Amulets—A Bit of Old, a Bit of New” by Theodore de Bruyn in the September/October 2018 issue of Biblical Archaeology Review.

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Notes

1. Athanasius, De amuletis (Patrologia Graeca 26.1320).

A version of this post first appeared in Bible History Daily in October, 2018

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The post Early Christian Amulets: Between Faith and Magic appeared first on Biblical Archaeology Society.

Is it possible that the earliest existing picture of a scene from the Bible also includes the philosophers Socrates and Aristotle as onlookers? It is not only possible; I believe that is the case.

The earliest depiction of a Biblical scene comes from a site that is perhaps better known to some for its erotic art than for its religious devotions: Pompeii. The city was buried in volcanic ash in 79 A.D. following the eruption of nearby Mt. Vesuvius. It was a devastating tragedy for Pompeii’s residents but a boon to modern scholars and art historians.

In the building known as the House of the Physician, excavators found a wall painting clearly depicting King Solomon seated on a raised tribunal and flanked by two counselors. As described in the Bible, two women have come to the Israelite monarch, each claiming to be the mother of the same infant. When Solomon orders the baby to be divided in half, the real mother, shown at the foot of the dais, pleads with him to spare the child and announces her willingness to relinquish her claim. The other woman is shown standing by the butcher block on which the infant has been placed. As a soldier raises an axe to do the king’s bidding, she seizes what she believes will be her portion, saying, according to the Biblical text, “Let it be neither mine, nor thine, but divide it.” It is obvious who the real mother is. The child is given to her unharmed as soldiers and observers look on, marveling at Solomon’s wisdom (1 Kings 3:16–28).

Pleading for her baby’s life, a woman kneels at the feet of King Solomon and relinquishes her claim to the contested child, thus identifying herself as the real mother of the infant in 1 Kings 3:16–28. Nearby a soldier prepares to follow the king’s order to cut the baby in two, while another woman, also claiming to be the mother, stands ready to take her half. This Roman wall painting from the House of the Physician in Pompeii is the earliest known depiction of a Biblical scene—a surprising find in a city better known for its brothels and erotic art than its religious paintings. So who was the person that commissioned this painting: a Jew, a Christian or a gentile? Photo: Scala/Art Resource, NY.

The wall painting has now been removed and is on exhibit at the Museo Nazionale in Naples. While it is therefore well known to scholars, it has not previously been noted that this is the earliest depiction of a full-fledged Biblical scene known to us!

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Was the painting commissioned by a Jew, an early Christian, a so-called God-fearer (gentiles who adopted many Jewish customs and beliefs, but did not convert^a) or simply an educated Roman?

There is good evidence that Jews lived in Pompeii. Kosher brands of the locally popular fish sauces were packed there and appropriately labeled Kosher Garum and Kosher Muria (garum castum, muria casta).¹ A two-word inscription, Sodoma Gomora, also survives from a house front in Pompeii and may have been written by a Jew or, less likely, by an early Christian, either before the eruption of Vesuvius or by a digger soon afterwards. It is perhaps more affecting to imagine its having been hastily written in the midst of the eruption by someone who analogized the town’s impending fate with that of the two doomed Biblical cities.

Wondering at the wisdom of King Solomon’s decision, two onlookers in the lower left corner of the painting observe the proceedings. Author Theodore Feder believes these clearly depicted figures represent the great Greek philosophers Socrates and Aristotle. With the creation of the Septuagint in the third century B.C., the Greek translation of the Hebrew Bible spread throughout the Greco-Roman world. The presence of these men in a Biblical scene suggests that the owner of this house was a gentile who wanted to draw a parallel between the Classical Greek sages and the wisdom of the Hebrew Bible. Photo: Alinari/Art Resource, NY

My own feeling, however, is that it is more likely that the painting of Solomon displaying his wisdom was commissioned by a non-Jew. True, the Second Commandment’s prohibition against depicting the human form was not always obeyed by Jews in the Roman era.² But the injunction was particularly strong in the years leading up to the Jewish rebellion against Rome in 66 A.D., when protests against graven and painted images received a strong political as well as religious impetus. On stylistic grounds, the painting can be dated from the period immediately preceding the Vesuvius eruption in 79 A.D.

In any event, it is clear that the work reflects the influence of the Hebrew Bible. The Torah (the Pentateuch or Five Books of Moses) was translated into Greek beginning in about 270 B.C., and the rest of the Bible was added in the immediately following centuries. According to one account, King Ptolmey II Philadelphus of Egypt wanted a copy of the Hebrew Bible for his great library in Alexandria.^b More likely, it was made by Jews for the Jews of Alexandria who did not know Hebrew. According to a traditional story, 70 scholars were isolated from each other on an island in Alexandria and instructed to prepare a Greek translation. When they were finished, all Greek copies were identical. Hence, this Greek translation of the Hebrew Bible is still known as the Septuagint.^c The Greek translation became available not only to the many Greek-speaking Hellenized Jews of the Mediterranean world, but to non-Jews as well. This text served as both a literary and iconographic source-book for Jew and gentile alike. Although the owner of the House of the Physician could in theory have been either a Jew, a so-called God-fearer, an early Christian or a Roman gentile, he was most likely a gentile, based simply on demographic grounds. In short, gentiles were more numerous, more likely to attain wealth, and under no prohibition with regard to depicting the human form.

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Socrates has long been considered one of the founders of Western philosophy. Museo Pio Clementino at the Vatican. Alinari/Art Resource, NY

Over the years, a bald head, beard and flat nose became iconic features for depicting Socrates. The similarity to the figure in the Pompeian painting is so striking that he must be Socrates. Museo Archeologico Nazionale, Naples Scala/Art Resource, NY

Among the onlookers are two figures in the lower left corner of the composition who are more fully delineated than the very lightly sketched group of figures immediately behind them. The features and poses of these two witnesses reflect surprise, wonder and admiration.

I believe these two figures are stand-ins for Socrates and Aristotle, introduced as a way of associating the wisdom of Solomon with that of the Greek philosophers. Put another way, their presence in the composition attests to the respect Greek philosophy could accord to Hebrew wisdom. Such a juxtaposition in art of wise men from the two civilizations was unprecedented, has rarely been done since, and is of great cultural and historical significance.

The standing figure on the left has the bald head, flattened nose, and beard that almost always characterizes depictions of Socrates.

The figure to the right stands with his right leg thrust forward; his chin rests on his unsupported right arm in a classic thinker’s pose. He would be more natural if he were pictured seated. His features, however, correspond to a prototype for Aristotle: a full head of curly hair, little or no beard in this case and a regular profile. It is likely that the painter modeled Aristotle on a seated prototype derived from a Greek original that was copied in Roman times. A surviving example is the seated Aristotle from the Galleria Spada in Rome. There the pose is almost identical to the standing Aristotle of the Pompeian wall painting; the left leg is thrust forward and the head rests on an upraised arm which is in turn supported by Aristotle’s bent knee.

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The Pompeian painter likely modeled his portrayal of the great philosopher Aristotle on an existing statue like this one but modified it to a standing position as seen in the completed painting. Scala/Art Resource, NY

The association of Jews with Greek wisdom and philosophy, though rare, was not entirely unknown in Hellenistic literature. In one of the earliest Greek references to the Jews, Clearchus of Soli (c. 300 B.C.), a disciple of Aristotle, quotes Aristotle as saying that the Jews are descended from Indian philosophers.³ In a similar vein, Theophrastus (372–288 B.C.) remarks that “being a race of philosophers, they converse with each other about divinity, and during the night they view the stars, turning their eyes to them and invoking their God with prayers.”⁴ This could serve as a still-accurate portrayal of synagogues in the modern era, where evening prayers (Maariv in Hebrew) are traditionally begun at sundown with the appearance of the first stars.

Numenius of Apamaea (Syria), a second-century A.D. Platonist, praised the Jews for worshiping an incorporeal God and declared that Plato had been but “a Moses in Attic garb,” here, too, making an association between the great thinkers of both cultures.⁵

The owner of the House of the Physician approved the depiction of this scene and likely proposed the subject matter to the painter. In selecting an episode from the Hebrew Bible, the patron departed from the canon of classical religious subject matter and elevated one from the Scriptures of a people whose influence at the time was spreading throughout the empire and would one day, in its Christian formulation, pervade it.

Theodore Feder is president and founder of Art Resource, the world’s largest photo archive of fine art, as well as president of the Artists Rights Society. He is author of Great Treasures of Pompeii and Herculaneum (Abbeville Press) and numerous articles.

Notes

1. August Mau, Pompeii, Its Life and Art, trans. Francis W. Kelsey (New York: Macmillan, 1902), p. 16.

2. See Harold H. Ellens, “The Library of Alexandria: The West’s Most Important Repository of Learning,” Bible Review 13:01.

3. On Sleep, quoted by Josephus, Against Apion I, 176–182.

4. On Piety, cited by Poryphry, third century A.D., in On Abstinence, 2.26. Meyer Reinhold and Louis Feldman, Jewish Life and Thought Among Greeks and Romans (Minneapolis: Fortress Press, 1996), primary readings, p. 7.

5. Salo Wittmayer Baron, A Social and Religious History of the Jews, vol. 2 (New York: Columbia Univ. Press, 1937), p. 157.

a. See Louis H. Feldman, “The Omnipresence of the God-Fearers”; Robert S. MacLennan and Thomas Kraabel, “The God-Fearers—A Literary and Theological Invention”; and Robert Tannenbaum, “Jews and God-Fearers in the Holy City of Aphrodite,” all in BAR, September/October 1986.

b. See Jacob Neusner, Symbol and Theology in Early Judaism (Minneapolis: Fortress Press, 1991), pp. 211, 216. Also, Erwin R Goodenough, Jewish Symbols in the Greco-Roman Period, 13 vols. (Princeton, NJ: Princeton Univ. Press, 1953–1968).

c. Philo of Alexandria gives a full account of its composition in his “Life of Moses” (2.6: 31–37, 44) See also Leonard J. Greenspoon, “Mission to Alexandria: Truth and Legend About the Creation of the Septuagint, the First Bible Translation,” Bible Review 05:04.

“Solomon, Socrates and Aristotle” by Theodore Feder originally appeared in Biblical Archaeology Review, September/October 2008.

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The unstoppable force of refugees fleeing to Europe has in various places hit the immovable object of an attitude that there is no room at the inn. Spaces are filled. Migrants should be kept out, in order to preserve jobs, health and welfare services. In an environment of austerity, where economic cuts have hit people hard, this cold-heartedness in part derives from a deep sense of insecurity.

At this time it is worth remembering that Jesus of Nazareth is in the Bible presented exactly as one that would be rejected by such European countries: a refugee child.

Woodcut from Die Bibel in Bildern (1860) by Julius Schnorr von Carolsfeld.

In the Gospel of Matthew, Jesus’ (adoptive) father, Joseph, and mother, Mary, live in Bethlehem, a town in Judaea near Jerusalem. It is assumed to be their home village. Certain magoi (“wise men”/astrologers) come from “the East” to Herod, the Roman client king of Judaea, looking to honor a new ruler they have determined by a “star,” and Jesus is identified as the one. All this is bad news to Herod, and Herod acts in a pre-emptive strike against the people of Bethlehem and its environs. He kills all boys under two years of age in an atrocity that is traditionally known as “the massacre of the innocents” (Matthew 2.16–18).

But Joseph has been warned beforehand in a dream of Herod’s intentions to kill little Jesus, and the family flees to Egypt. It is not until Herod is dead that Joseph and Mary dare return, and then they avoid Judaea: Joseph “was afraid to go there” (Matthew 2.22) because Herod’s son is in charge. Instead they find a new place of refuge, in Nazareth of Galilee, far from Bethlehem.

Jesus’ earliest years were then, according to the Gospel of Matthew, spent as a refugee in a foreign land, and then as a displaced person in a village a long way from his family’s original home.

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Scholars of the historical Jesus can be suspicious of this account, as also with the other nativity account in the Gospel of Luke 1–2. It is clearly constructed with allusions to Jesus as a kind of Moses figure: just as Moses was under threat from an evil Pharaoh who killed children (Exodus 1–2), so was Jesus. But while resonances with the scriptural precedent are intended, there is no real need for the author to invent the idea of Jesus being a refugee child somewhere in Egypt to have him being Moses-like. There is a quote, “Out of Egypt I called my son” (Hosea 11.1), in Matthew 2.15, but the “son” concerned is historical Israel, not Moses and not the Messiah, and it sits uncomfortably with the story. The author of Matthew did not need to build a myth out of such a text.

King Herod the Great began construction at Herodium in 28–27 B.C.E. Photo: Duby Tal.

It seems not then unlikely to me that Jesus’ family, with a lineage traced to the great king David (Matthew 1; Luke 3.23–38; Romans 1.3; 15.12), opted to flee from Bethlehem, long-standing residence of the kingly line and their original home. In many traditional societies, such locations of clans are maintained, even with social disruptions. Archaeology has shown how Herod built a palace complex at Herodium, including his future mausoleum, nicely overlooking the town of Bethlehem. It was as if Herod was breathing down Bethlehem’s neck.

The first-century Jewish historian Josephus portrays Herod as paranoid about any possible threat to his rule. He killed his own sons and had few qualms about killing anyone else’s. As Augustus quipped, “I would rather be Herod’s pig than his son” (Macrobius, Saturnalia 2:4; since pigs are not butchered by Jews).

We know also that Jews fled from troubles in Judaea of many kinds in the third–first centuries B.C.E., and that Egypt was one of the places they went to as refugees. Josephus comments on the problematic revolutionaries (and their children) that fled there after the First Jewish Revolt (66–70 C.E.; Jewish War 7: 407–419), but they were following a well-worn path.

Many epitaphs and inscriptions, as well as historical sources, testify to a thriving Jewish expatriate community in Egypt made up of earlier refugees that could be joined by others. However, just like today, new refugees were not welcome. A letter of the emperor Claudius, written in 41 C.E., states that Jews in Alexandria lived in “a city not their own” in which they were “not to bring in or invite Jews who sail down to Alexandria from Syria[-Palaestina]” (P. London 1912; CPJ I:151).

Visit the historical Jesus study page in Bible History Daily to read more free articles on Jesus.

A remembrance of Jesus’ family in Egypt is preserved in Matariya, in the suburbs of Cairo at Heliopolis, a spot understood to be a stopping place on the holy family’s flight, and it is probably the most important site in the world for anyone wishing to contemplate Joseph, Mary and Jesus as refugees.

For new refugees, as anywhere, life would have been very hard. The first-century Jewish philosopher Philo of Alexandria tells us of the consequences of poverty, which could result in enslavement (Special Laws 2.82). Presumably, Jewish charity and voluntary giving through the synagogue would have helped a struggling refugee family, but they would also have been reliant on the kindness of strangers.

The legacy of being a refugee and a newcomer to a place far from home is something that I think informed Jesus’ teaching. When he set off on his mission, he took up the life of a displaced person with “nowhere to lay his head” (Matthew 8.20; Luke 9.58). He asked those who acted for him to go out without a bag or a change of clothing, essentially to walk along the road like destitute refugees who had suddenly fled, relying on the generosity and hospitality of ordinary people whose villages they entered (Mark 6.8–11; Matthew 10.9–11; Luke 9.3). It was the villagers’ welcome or not to such poor wanderers that showed what side they were on: “And if any place will not receive you and refuse to hear you, shake off the dust on your feet when you leave, for a testimony to them” (Mark 6.11).

“Jesus Was a Refugee” by Joan E. Taylor was first republished in Bible History Daily on May 12, 2016.

Joan E. Taylor is Professor of Christian Origins and Second Temple Judaism at King’s College London. Her research interests include the New Testament and other early Christian texts; the historical figures of Jesus of Nazareth, John the Baptist, Mary Magdalene and other New Testament persons; Second Temple Judaism; and women and gender within early Judaism and Christianity. Dr. Taylor has received various awards and fellowships, including the Irene Levi-Sala Award in Israel’s archaeology for her book Christians and the Holy Places (Oxford: Clarendon, 1993, rev. 2003).

Related reading in Bible History Daily:

Did Jesus Exist? Searching for Evidence Beyond the Bible

How December 25 Became Christmas

Witnessing the Divine

Christmas Stories in Christian Apocrypha

Herod’s Death, Jesus’ Birth and a Lunar Eclipse

Has the Childhood Home of Jesus Been Found?

Judean Refugees in Galilee?

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This Roman theater played an important role in the riot at Ephesus against Paul and the early Christians, according to Luke’s account in Acts 19. Photo: Jordan Pickett.

In Acts 19, Luke describes a frenzied riot at Ephesus, a city in the Roman province of Asia in modern-day Turkey:

About that time no little disturbance broke out concerning the Way. A man named Demetrius, a silversmith who made silver shrines of Artemis, brought no little business to the artisans. These he gathered together, with the workers of the same trade, and said, “Men, you know that we get our wealth from this business. You also see and hear that not only in Ephesus but in almost the whole of Asia this Paul has persuaded and drawn away a considerable number of people by saying that gods made with hands are not gods. And there is danger not only that this trade of ours may come into disrepute but also that the temple of the great goddess Artemis will be scorned, and she will be deprived of her majesty that brought all Asia and the world to worship her.”

When they heard this, they were enraged and shouted, “Great is Artemis of the Ephesians!” The city was filled with the confusion; and people rushed together to the theater, dragging with them Gaius and Aristarchus, Macedonians who were Paul’s travel companions. Paul wished to go into the crowd, but the disciples would not let him; even some officials of the province of Asia, who were friendly to him, sent him a message urging him not to venture into the theater. (Acts 19:23–31)

The so-called Beautiful Artemis statue was one of four statues of Artemis excavated at Ephesus in 1956. Measuring 5.7 feet tall, the statue dates to the Hadrianic–early Antonine periods (c. 117–150 C.E.). On either side of Artemis are female deer, and the zodiac signs appear on her upper chest. Rows of oval pendants—possibly representing bulls’ scrota—hang from her chest. These attributes, according to BAR author James R. Edwards, may represent “Artemis’s ultimate trophies in taming and subjugating the quintessential symbols of virility.” According to the silversmith Demetrius in Acts 19, the mission of Paul at Ephesus threatened the reputation of Artemis’s cult. Photo: Jordan Pickett.

According to Acts, the riot would have occurred at the end of the missionary visit of Paul at Ephesus (around 55 or 56 C.E.). How accurate is Luke’s description of Ephesus at this time? In “Archaeology Gives New Reality to Paul’s Ephesus Riot” in the July/August 2016 issue of Biblical Archaeology Review, James R. Edwards, the Bruner-Welch Professor Emeritus of Theology at Whitworth University, describes how archaeological evidence fills in the historical context for Luke’s account of the riot at Ephesus.

In the Roman period, Ephesus was an important commercial center. Excavations conducted by the Austrian Archaeological Institute since 1895 have shown that the ancient city—which rivaled Antioch as the third-largest city of the Roman world—boasted a harbor, various civic structures, bath complexes, a theater and the Temple of Artemis, one of the Seven Wonders of the Ancient World.

Four times the size of the Athenian Parthenon, the famous Temple of Artemis had 127 gleaming marble columns that stood 60 feet tall and were topped with Ionic capitals. It was the Temple of Artemis, the silversmith Demetrius argued in Acts 19, that was being threatened by “the Way” (the early Christian movement) and Paul’s missionary effort. In saying that “gods made with hands are not gods” (Acts 19:27), Demetrius alleged, Paul was harming the silversmith industry that made little shrines used as dedicatory offerings to Artemis and tarnishing the reputation of the Artemis cult at Ephesus. However, a 16-line Greek inscription discovered during excavations showed that a century after the mission of Paul at Ephesus, in the late second or early third century, the silversmith trade and the cult of Artemis were still thriving.

When the anger that Demetrius incited reached a fever pitch, the rioters were said to have rushed into the city’s theater, dragging in Paul’s travel companions Gaius and Aristarchus. Excavations have uncovered the theater, which is set into a steep hillside at Ephesus. Massive in scale, the semicircular Roman theater held 25,000 seats and was one of the largest in the ancient world.

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According to BAR author James R. Edwards, Luke’s account of the riot at Ephesus in Acts “contains a wealth of historical detail, some of which—proconsuls, standing courts and a city secretary—were common throughout the Roman Empire. But many more details—the immense temple commemorating the Artemis cult, the Artemis figure peculiar to Ephesus who was believed to have ‘fallen from heaven’ (Acts 19:35), guilds of silversmiths, Asiarchs and the city of Ephesus itself: its greatness, its theater and its honor as neōkoros, ‘temple guardian’—all are unique to Ephesus and the Roman province of Asia.”

To the right, one can see the single column that remains from the Temple of Artemis at Ephesus. Considered one of the Seven Wonders of the Ancient World, the massive temple was the largest building in the Hellenistic world. Photo: Jordan Pickett.

Explore more of the archaeology that shines new light on Luke’s account—from statues of the goddess Artemis to inscriptions and monumental building remains—by reading the full article “Archaeology Gives New Reality to Paul’s Ephesus Riot” by James R. Edwards in the July/August 2016 issue of BAR.

BAS Library Members: Read the full article “Archaeology Gives New Reality to Paul’s Ephesus Riot” by James R. Edwards in the July/August 2016 issue of Biblical Archaeology Review.

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Related reading in Bible History Daily

Destroying a Temple

Paul’s First Missionary Journey through Perga and Pisidian Antioch

Galatians 3:28—Neither Jew nor Greek, Slave nor Free, Male and Female

The Quest for the Historical Paul

Barnabas: An Encouraging Early Church Leader

Visiting Turkey: Museums of Archaeology Dazzle

This Bible History Daily feature was originally published on July 14, 2016.

The post Biblical Riot at Ephesus: The Archaeological Context appeared first on Biblical Archaeology Society.

The practice of crucifixion in antiquity was brought to life as never before when the heel bones of a young man named Yehohanan were found in a Jerusalem tomb, pierced by an iron nail. The discovery shed new light on Roman crucifixion methods and began to rewrite the history of crucifixion in antiquity. Photo: ©Erich Lessing

The Romans were not the only people to practice crucifixion in antiquity. The history of crucifixion extends as far back as the Assyrians, Phoenicians and Persians of the first millennium B.C., as well as some Greeks throughout the Hellenized world. Even so, the most detailed accounts are of Roman crucifixion methods.

Initially the practice served only as a punishment and humiliation, usually for slaves, and did not necessarily result in death. As Roman crucifixion methods evolved, however, it became a means to execute foreign captives, rebels and fugitives. During times of war or rebellion, crucifixions could number in the hundreds or thousands. The convicted could sometimes hang in agony for days before expiring.

Despite the long history of crucifixion in antiquity, the discovery of Yehohanan’s remains offered scientists the first opportunity to study the process of crucifixion and Roman crucifixion methods up close. The bones were found in an ossuary, or bone box, inscribed several times with Yehohanan’s name (“Yehohanan son of Hagakol”). This ossuary, along with several others, had been placed in a tomb complex consisting of two chambers and 12 burial niches. During the Roman period (first century B.C.–first century A.D.) Jews who could afford this type of burial would lay out the dead bodies of loved ones on stone benches in rock-cut tombs. A year later, after the flesh had desiccated, the bones were collected into an ossuary and left in the tomb with those of other family members.

Examination of Yehohanan’s bones showed one of the many Roman crucifixion methods. Both of his feet had been nailed together to the cross with a wooden plaque while his legs were bent to one side. His arm bones revealed scratches where the nails had passed between. Both legs were badly fractured, most likely from a crushing blow meant to end his suffering and bring about a faster death. Yehohanan was probably a political dissident against Roman oppression. In death his bones have helped fill in gaps in the history of crucifixion.

Below, read the original report from BAR written by Vassilios Tzaferis about his excavation of the tomb of Yehohanan in Jerusalem.

Crucifixion—The Archaeological Evidence

by Vassilios Tzaferis

From ancient literary sources we know that tens of thousands of people were crucified in the Roman Empire. In Palestine alone, the figure ran into the thousands. Yet until 1968 not a single victim of this horrifying method of execution had been uncovered archaeologically.

In that year I excavated the only victim of crucifixion ever discovered. He was a Jew, of a good family, who may have been convicted of a political crime. He lived in Jerusalem shortly after the turn of the era and sometime before the Roman destruction of Jerusalem in 70 A.D.

In the period following the Six Day War—when the Old City and East Jerusalem were newly under Israeli jurisdiction—a great deal of construction was undertaken. Accidental archaeological discoveries by construction crews were frequent. When that occurred, either my colleagues at the Israel Department of Antiquities and Museums or I would be called in; part of our job was to investigate these chance discoveries.

In late 1968 the then Director of the Department, Dr. Avraham Biran, asked me to check some tombs that had been found northeast of Jerusalem in an area called Giv‘at ha-Mivtar. A crew from the Ministry of Housing had accidentally broken into some burial chambers and discovered the tombs. After we looked at the tombs, it was decided that I would excavate four of them.

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This particular tomb (which we call Tomb No. 1) was a typical Jewish tomb, just like many others found in Jerusalem. On the outside, in front of the entrance to the tomb, was a forecourt (which, unfortunately, had been badly damaged). The entrance itself was blocked by a stone slab and led to a large, carved-out cave chamber, nearly 10 feet square (Chamber A on the plan). On three sides of the chamber were stone benches, intentionally left by the carver of the chamber. The fourth wall contained two openings leading down to another, lower chamber (Chamber B on the plan) that was similar in design to the first but had no benches. When we found Chamber B, its entrance was still blocked with a large stone slab.

Tomb 1 at Giv‘at ha Mivtar had two chambers, A and B, that contained a total of 12 loculi, or burial niches. In one wall of chamber A was a large stone slab that blocked the entrance to the lower chamber B. Chamber B was at a sufficiently lower level so that loculi 11 and 12 could be carved under the floor of chamber A. Adapted from Israel Exploration Journal Vol. 20, Numbers 1–2, (1970)

Each of the two chambers contained burial niches that scholars call loculi (singular: loculus), about five to six feet long and a foot to a foot and a half wide. In Chamber A, there were four loculi and in Chamber B, eight—two on each side. In Chamber B the two loculi carved into the wall adjacent to Chamber A were cut under the floor of Chamber A.

A cross section view of the tomb shows how it would look if an imaginary vertical slice were cut through it between the points marked on the plan with arrows at loculi 1 and 8. Adapted from Israel Exploration Journal Vol. 20, Numbers 1–2, (1970)

Some of the loculi were sealed by stone slabs; others were blocked by small undressed stones that had been covered with plaster. In Chamber B, in the floor by the entrance to Chamber A, a child’s bones had been buried in a small pit. The pit was covered by a flat stone slab, similar to the ossuary lids I shall describe later.

Nine of the 12 loculi in the two tomb chambers contained skeletons, usually only one skeleton to a loculus. However, three of the loculi (Loculi 5, 7 and 9) contained ossuaries. Ossuaries are small boxes (about 16 to 28 inches long, 12 to 20 inches wide and 10 to 16 inches high) for the secondary burial of bones. During this period, it was customary to collect the bones of the deceased after the body had been buried for almost a year and the flesh had decomposed. The bones were then reinterred in an ossuary. The practice of collecting bones in ossuaries had a religious significance that was probably connected with a belief in the resurrection of the dead. But this custom was also a practical measure; it allowed a tomb to be used for a prolonged period. As new burials became necessary, the bones of earlier burials were removed and placed in an ossuary. Reburial in an ossuary was, however, a privilege for the few; not every Jewish family could afford them. Most families reburied the bones of their dead in pits. The use of stone ossuaries probably began during the Herodian dynasty (which began in 37 B.C.) and ended in the second half of the second century A.D.

Ossuaries discovered in the Giv‘at ha-Mivtar tombs. Made of local limestone, these ossuaries display various incised decorations. Concentric circles within a grid of squares may have symbolic meaning, or they may be merely ornamental. This ossuary contained the bones of a woman named Martha, whose name was inscribed on the opposite side.

Thousands of ossuaries have been found in cemeteries around Jerusalem. Most, like the ones we found, are carved from soft local limestone. The workmanship varies. Some that we found in the tomb have a smooth finish over all their surfaces, including the lids. Others, especially the larger ossuaries, are cruder; the surfaces were left unsmoothed and the marks of the cutting tools are clearly visible.

Ossuaries discovered in the Giv‘at ha-Mivtar tombs. Made of local limestone, these ossuaries display various incised decorations. A man, a woman, and a child were buried in this ossuary decorated with two six-petaled rosettes within circles. Between the two rosettes an Aramaic inscription reads: Yhwntn qdrh, “Jehonathan the potter.”

The ossuaries are variously decorated with incised lines, rosettes and sometimes inscriptions. Ossuary lids are of three types: gabled, flat and convex. We found all three types in our tomb. Often, ossuaries bear scratched marks at one end, extending onto the edge of the lid. These marks served to show how the lid was to be fitted onto the ossuary.

Scratched on an ossuary found in Tomb 1 at Giv’at ha-Mivtar is a symbol that resembles an asterisk. The identical symbol on the lid shows the user how to align the lid when closing the ossuary.

Of the eight ossuaries we found in this tomb, three were in situ in loculi in Chamber B; the other five were discovered in Chamber B in the middle of the floor.

We also found a considerable quantity of pottery in the tomb. Because all the pottery was easily identifiable, we were able to date the tomb quite accurately. The entire assemblage can be dated with certainty between the late Hellenistic period (end of the second century B.C., about 180 B.C.) to the Roman destruction of the Second Temple (70 A.D.). However, the bulk of the pottery dates to the period following the rise of the Herodian dynasty in 37 B.C. The assemblage included so-called spindle bottles^a (probably used for aromatic balsam), globular juglets (for oil), oil lamps and even some cooking pots.

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The skeletal finds indicate that two generations were buried in this tomb. No doubt this was the tomb of a family of some wealth and perhaps even prominence. The eight ossuaries contained the bones of 17 different people. Each ossuary contained the bones of from one to five people. The ossuaries were usually filled to the brim with bones, male and female, adult and child, interred together. One ossuary also held a bouquet of withered flowers.

Ossuaries discovered in the Giv‘at ha-Mivtar tombs. Made of local limestone, these ossuaries display various incised decorations. Six-petaled rosettes and concentric circles decorate a small ossuary that contained the bones of two children.

As we shall see from the inscriptions, at least one member of this family participated in the building of Herod’s temple. But despite the wealth and achievement of its members, this family was probably not a happy one.

An osteological examination showed that five of the 17 people whose bones were collected in the ossuaries died before reaching the age of seven. By age 37, 75 percent had died. Only two of the 17 lived to be more than 50. One child died of starvation, and one woman was killed when struck on the head by a mace.

And one man in this family had been crucified. He was between 24 and 28 years old, according to our osteologists.

Strange though it may seem, when I excavated the bones of this crucified man, I did not know how he had died. Only when the contents of Ossuary No. 4 from Chamber B of Tomb No. 1 were sent for osteological analysis was it discovered that it contained one three- or four-year-old child and a crucified man—a nail held his heel bones together. The nail was about 7 inches (17–18 cm) long.

Before examining the osteological evidence, I should say a little about crucifixion. Many people erroneously assume that crucifixion was a Roman invention. In fact, Assyrians, Phoenicians and Persians all practiced crucifixion during the first millennium B.C. Crucifixion was introduced in the west from these eastern cultures; it was used only rarely on the Greek mainland, but Greeks in Sicily and southern Italy used it more frequently, probably as a result of their closer contact with Phoenicians and Carthaginians.¹

During the Hellenistic period, crucifixion became more popular among the Hellenized population of the east. After Alexander died in 323 B.C., crucifixion was frequently employed both by the Seleucids (the rulers of the Syrian half of Alexander’s kingdom) and by the Ptolemies (the rulers of the Egyptian half).

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Among the Jews crucifixion was an anathema. (See Deuteronomy 21:22–23: “If a man is guilty of a capital offense and is put to death, and you impale him on a stake, you must not let his corpse remain on the stake overnight, but must bury him the same day. For an impaled body is an affront to God: you shall not defile the land that the Lord your God is giving you to possess.”)

The traditional method of execution among Jews was stoning. Nevertheless, crucifixion was occasionally employed by Jewish tyrants during the Hasmonean period. According to Josephus,² Alexander Jannaeus crucified 800 Jews on a single day during the revolt against the census of 7 A.D.

At the end of the first century B.C., the Romans adopted crucifixion as an official punishment for non-Romans for certain legally limited transgressions. Initially, it was employed not as a method of execution, but only as a punishment. Moreover, only slaves convicted of certain crimes were punished by crucifixion. During this early period, a wooden beam, known as a furca or patibulum was placed on the slave’s neck and bound to his arms. The slave was then required to march through the neighborhood proclaiming his offense. This march was intended as an expiation and humiliation. Later, the slave was also stripped and scourged, increasing both the punishment and the humiliation. Still later, instead of walking with his arms tied to the wooden beam, the slave was tied to a vertical stake.

Because the main purpose of this practice was to punish, humiliate and frighten disobedient slaves, the practice did not necessarily result in death. Only in later times, probably in the first century B.C., did crucifixion evolve into a method of execution for conviction of certain crimes.

Initially, crucifixion was known as the punishment of the slaves. Later, it was used to punish foreign captives, rebels and fugitives, especially during times of war and rebellion. Captured enemies and rebels were crucified in masses. Accounts of the suppression of the revolt of Spartacus in 71 B.C. tell how the Roman army lined the road from Capua to Rome with 6,000 crucified rebels on 6,000 crosses. After the Romans quelled the relatively minor rebellion in Judea in 7 A.D. triggered by the death of King Herod, Quintilius Varus, the Roman Legate of Syria, crucified 2,000 Jews in Jerusalem. During Titus’s siege of Jerusalem in 70 A.D., Roman troops crucified as many as 500 Jews a day for several months.

In times of war and rebellion when hundreds and even thousands of people were crucified within a short period, little if any attention was paid to the way the crucifixion was carried out. Crosses were haphazardly constructed, and executioners were impressed from the ranks of Roman legionaries.

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In peacetime, crucifixions were carried out according to certain rules, by special persons authorized by the Roman courts. Crucifixions took place at specific locations, for example, in particular fields in Rome and on the Golgotha in Jerusalem. Outside of Italy, the Roman procurators alone possessed authority to impose the death penalty. Thus, when a local provincial court prescribed the death penalty, the consent of the Roman procurator had to be obtained in order to carry out the sentence.

Once a defendant was found guilty and was condemned to be crucified, the execution was supervised by an official known as the Carnifix Serarum. From the tribunal hall, the victim was taken outside, stripped, bound to a column and scourged. The scourging was done with either a stick or a flagellum, a Roman instrument with a short handle to which several long, thick thongs had been attached. On the ends of the leather thongs were lead or bone tips. Although the number of strokes imposed was not fixed, care was taken not to kill the victim. Following the beating, the horizontal beam was placed upon the condemned man’s shoulders, and he began the long, grueling march to the execution site, usually outside the city walls. A soldier at the head of the procession carried the titulus, an inscription written on wood, which stated the defendant’s name and the crime for which he had been condemned. Later, this titulus was fastened to the victim’s cross. When the procession arrived at the execution site, a vertical stake was fixed into the ground. Sometimes the victim was attached to the cross only with ropes. In such a case, the patibulum or crossbeam, to which the victim’s arms were already bound, was simply affixed to the vertical beam; the victim’s feet were then bound to the stake with a few turns of the rope.

If the victim was attached by nails, he was laid on the ground, with his shoulders on the crossbeam. His arms were held out and nailed to the two ends of the crossbeam, which was then raised and fixed on top of the vertical beam. The victim’s feet were then nailed down against this vertical stake.

Without any supplementary body support, the victim would die from muscular spasms and asphyxia in a very short time, certainly within two or three hours. Shortly after being raised on the cross, breathing would become difficult; to get his breath, the victim would attempt to draw himself up on his arms. Initially he would be able to hold himself up for 30 to 60 seconds, but this movement would quickly become increasingly difficult. As he became weaker, the victim would be unable to pull himself up and death would ensue within a few hours.

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In order to prolong the agony, Roman executioners devised two instruments that would keep the victim alive on the cross for extended periods of time. One, known as a sedile, was a small seat attached to the front of the cross, about halfway down. This device provided some support for the victim’s body and may explain the phrase used by the Romans, “to sit on the cross.” Both Erenaeus and Justin Martyr describe the cross of Jesus as having five extremities rather than four; the fifth was probably the sedile. To increase the victim’s suffering, the sedile was pointed, thus inflicting horrible pain. The second device added to the cross was the suppedaneum, or foot support. It was less painful than the sedile, but it also prolonged the victim’s agony. Ancient historians record many cases in which the victim stayed alive on the cross for two or three or more days with the use of a suppedaneum. The church father Origen writes of having seen a crucified man who survived the whole night and the following day. Josephus refers to a case in which three crucified Jews survived on the cross for three days. During the mass crucifixions following the repression of the revolt of Spartacus in Rome, some of the crucified rebels talked to the soldiers for three days.³

Using this historical background and the archaeological evidence, it is possible to reconstruct the crucifixion of the man whose bones I excavated at Giv‘at ha-Mivtar.

The most dramatic evidence that this young man was crucified was the nail which penetrated his heel bones. But for this nail, we might never have discovered that the young man had died in this way. The nail was preserved only because it hit a hard knot when it was pounded into the olive wood upright of the cross. The olive wood knot was so hard that, as the blows on the nail became heavier, the end of the nail bent and curled. We found a bit of the olive wood (between 1 and 2 cm) on the tip of the nail. This wood had probably been forced out of the knot where the curled nail hooked into it.

When it came time for the dead victim to be removed from the cross, the executioners could not pull out this nail, bent as it was within the cross. The only way to remove the body was to take an ax or hatchet and amputate the feet. Thereafter, the feet, the nail and a plaque of wood that had been fastened between the head of the nail and the feet remained attached to one another as we found them in Ossuary No. 4. Under the head of the nail, the osteological investigators found the remains of this wooden plaque, made of either acacia or pistacia wood. The wood attached to the curled end of the nail that had penetrated the upright of the cross was, by contrast, olive wood.

At first the investigators thought that the bony material penetrated by the nail was only the right heel bone (calcaneum). This assumption initially led them to a mistaken conclusion regarding the victim’s position on the cross. Further investigation disclosed, however, that the nail had penetrated both heel bones. The left ankle bone (sustentaculum tali) was found still attached to the bone mass adjacent to the right ankle bone, which was itself attached to the right heel bone. When first discovered, the two heel bones appeared to be two formless, unequal bony bulges surrounding an iron nail, coated by a thick calcareous crust. But painstaking investigation gradually disclosed the makeup of the bony mass.^b

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A word about the conditions under which the bones in the ossuaries were studied might be appropriate here. The medical team that studied the bones was given only four weeks to conduct their examination before the bones were reburied in a modern ceremony. Certain long-term preservation procedures were therefore impossible, and this precluded certain kinds of measurements and comparative studies. In the case of the crucified man, however, the investigators were given an additional period of time to study the materials, and it was during this period that the detailed conditions described here were discovered.

When removed from the tomb chamber, each of the eight ossuaries was one-third filled with a syrupy fluid. Strangely enough, the considerable moisture in the ossuaries resulted in a peculiar kind of preservation of the packed bones. The bones immersed in the fluid at the bottom of the ossuaries were coated with a limy sediment. As a result, the nailed heel bones were preserved in relatively good condition. Nevertheless, the overall condition of the bones must be described as fragile.

Before they were studied, the bones were first dehydrated and then impregnated with a preservative. Only then could they be measured and photographed.

Despite these limiting conditions, a detailed and very human picture of the crucified man gradually emerged. At 5 feet 6 inches (167 cm) tall, this young man in his mid- to late-twenties stood at about the mean height for Mediterranean people of the time. His limb bones were fine, slender, graceful and harmonious. The muscles that had been attached to his limb bones were lean, pointing to moderate muscular activity, both in childhood and after maturity. Apparently he never engaged in heavy physical labor. We can tell that he had never been seriously injured before his crucifixion, because investigators found no pathological deformations or any traumatic bony lesions. His bones indicated no marks of any disease or nutritional deficiency.

The young man’s face, however, was unusual. He had a cleft right palate—a congenital anomaly which was also associated with the congenital absence of the right upper canine tooth and the deformed position of several other teeth. In addition, his facial skeleton was asymmetric, slanting slightly from one side to the other (plagiocephaly). The eye sockets were at slightly different heights, as were the nasal apertures. There were differences between the left and right branches of the lower jaw bone, and the forehead was more flattened on the right side than on the left. Some of these asymmetries have a direct association with the cleft palate.

From drawings of Yehohanan’s skull, an artist has sketched a portrait of the young man who was crucified in the early first century A.D. Yehohanan’s face was slightly asymmetrical. This deformity was probably the result of two factors: Yehohanan’s mother may have been deprived of food or suffered some severe stress during the first weeks of her pregnancy, and the birth may have been a difficult one. Yehohanan had a cleft palate, his eyes, nostrils and jaws were at slightly different heights, and his forehead was flatter on the right side than on the left. But hair, beard and moustache probably disguised these irregularities. In fact, Yehohanan was a pleasant looking man whose graceful, muscular and perfectly proportioned body must have compensated for a less-than-perfect face. Courtesy Israel Exploration Journal Vol. 20, Numbers 1–2, (1970)

The majority of modern medical scholars ascribe a cleft palate (and some associated asymmetries of the face) not to a genetic factor but to a critical change in the manner of life of the pregnant woman in the first two or three weeks of pregnancy. This critical change has frequently been identified as an unexpected deterioration in the woman’s diet, in association with psychical stress. Statistically, this malformation occurs more frequently in chronically undernourished and underprivileged families than in the well-situated. But some catastrophe could cause sudden stress in the life of a well-to-do woman as well.

Other asymmetries of the facial skeleton may be attributable to disturbances in the final period of pregnancy or difficulties in delivery. Thus, our medical experts conjectured two prenatal crises in the life of this crucified man: one in the first few weeks of his mother’s pregnancy and the other, a most difficult birth.

To help determine the appearance of the face, the team of anatomical experts took 38 anthropological measurements, 28 other measurements, and determined four cranial indices. The general shape of the facial skeleton, including the forehead, was five-sided. Excluding the forehead, the face was triangular, tapering below eye level. The nasal bones were large, curved, tight in the upper region and coarse in the lower part. The man’s nose was curved and his chin robust, altogether a mild-featured facial skeleton.

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What his life was like, we cannot know. But he seems to have come from a comfortable, if not well-to-do family. One of the ossuaries (not the one containing the crucified man) was inscribed in Aramaic on the side: “Simon, builder of the Temple.” Apparently at least one member of the family participated in Herod’s lavish rebuilding of the Temple on Jerusalem’s Temple Mount. Simon may well have been a master mason or an engineer. Another ossuary was inscribed “Yehonathan the potter.”

“Simon, builder of the Temple.” The inscription on this ossuary found in the same Jewish tomb with the ossuary of Yehohanan tells posterity the part Simon played in history. Eight ossuaries containing the bones of 17 members of Simon and Yehohanan’s family were found in this tomb. Since not all families could afford limestone ossuaries for secondary burials, we know that this was a family of some wealth.

We may conjecture that during this turbulent period of history, our crucified man was sentenced to die by crucifixion for some political crime. His remains reveal the horrible manner of his dying.

From the way in which the bones were attached, we can infer the man’s position on the cross. The two heel bones were attached on their adjacent inside (medial) surfaces. The nail went through the right heel bone and then the left. Since the same nail went through both heels, the legs were together, not apart, on the cross.

A study of the two heel bones and the nail that penetrated them at an oblique angle pointing downward and sideways indicates that the feet of the victim were not fastened tightly to the cross. A small seat, or sedile must have been fastened to the upright of the cross. The evidence as to the position of the body on the cross convinced the investigators that the sedile supported only the man’s left buttock. This seat both prevented the collapse of the body and prolonged the agony.

Given this position on the cross and given the way in which the heel bones were attached to the cross, it seems likely that the knees were bent, or semi-flexed, as in the drawing. This position of the legs was dramatically confirmed by a study of the long bones below the knees, the tibia or shinbone and the fibula behind it.

Only the tibia of the crucified man’s right leg was available for study. The bone had been brutally fractured into large, sharp slivers. This fracture was clearly produced by a single, strong blow. The left calf bones were lying across the sharp edge of the wooden cross, and the percussion from the blow on the right calf bones passed into the left calf bones, producing a harsh and severing blow to them as well. The left calf bones broke in a straight, sharp-toothed line on the edge of the cross, a line characteristic of a fresh bone fracture. This fracture resulted from the pressure on both sides of the bone—on one side from the direct blow on the right leg and on the other from the resistance of the edge of the cross.

Crucifixion of Yehohanan. Study of the wounds on Yehohanan’s skeleton enabled osteologists to reconstruct his position on the cross. His arms were nailed above the wrists to the crossbeam. His legs were bent and twisted to one side, and a small sedile, or seat, supported only his left buttock. Courtesy Israel Exploration Journal Vol. 20, Numbers 1–2, (1970)

The angle of the line of fracture on these left calf bones provides proof that the victim’s legs were in a semi-flexed position on the cross. The angle of the fracture indicates that the bones formed an angle of 60° to 65° as they crossed the upright of the cross. This compels the interpretation that the legs were semi-flexed.

When we add this evidence to that of the nail and the way in which the heel bones were attached to the cross, we must conclude that this position into which the victim’s body was forced was both difficult and unnatural.

The arm bones of the victim revealed the manner in which they were attached to the horizontal bar of the cross. A small scratch was observed on one bone (the radius) of the right forearm, just above the wrist. The scratch was produced by the compression, friction and gliding of an object on the fresh bone. This scratch is the osteological evidence of the penetration of the nail between the two bones of the forearm, the radius and the ulna.

Christian iconography usually shows the nails piercing the palms of Jesus’ hands. Nailing the palms of the hands is impossible, because the weight of the slumping body would have torn the palms in a very short time. The victim would have fallen from the cross while still alive. As the evidence from our crucified man demonstrates, the nails were driven into the victim’s arms, just above the wrists, because this part of the arm is sufficiently strong to hold the weight of a slack body.^c

The position of the crucified body may then be described as follows: The feet were joined almost parallel, both transfixed by the same nail at the heels, with the legs adjacent; the knees were doubled, the right one overlapping the left; the trunk was contorted and seated on a sedile; the upper limbs were stretched out, each stabbed by a nail in the forearm.

The victim’s broken legs not only provided crucial evidence for the position on the cross, but they also provide evidence for a Palestinian variation of Roman crucifixion—at least as applied to Jews. Normally, the Romans left the crucified person undisturbed to die slowly of sheer physical exhaustion leading to asphyxia. However, Jewish tradition required burial on the day of execution. Therefore, in Palestine the executioner would break the legs of the crucified person in order to hasten his death and thus permit burial before nightfall. This practice, described in the Gospels in reference to the two thieves who were crucified with Jesus (John 19:18), has now been archaeologically confirmed.^d Since the victim we excavated was a Jew, we may conclude that the executioners broke his legs on purpose in order to accelerate his death and allow his family to bury him before nightfall in accordance with Jewish custom.

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There’s something else we know about this victim. We know his name. Scratched on the side of the ossuary containing his bones were the words “Yehohanan, the son of Hagakol.”

Ossuary of Yehohanan. About a year after Yehohanan had been crucified, his family reburied his bones in this stone box and scratched his name not once, but several times, into the stone. One of the two inscriptions on this long side of the ossuary reads Yhwhnn bn hgqwl, “Yehohanan, son of HGQWL.” A clear translation of Yehohanan’s father’s name is not possible, but it may be a corruption of the name Ezekiel. Courtesy Israel Exploration Journal Vol. 20, Numbers 1–2, (1970)

For further details, see Vassilios Tzaferis, “Jewish Tombs at and near Giv‘at ha-Mivtar, Jerusalem,” Israel Exploration Journal 20/1, 2 (1970), pp. 18–32; Nico Haas, “Anthropological Observations on the Skeletal Remains from Giv‘at ha-Mivtar,” Israel Exploration Journal 20/1, 2 (1970), pp. 38–59; and Joseph Naveh, “The Ossuary Inscriptions from Giv‘at ha-Mivtar,” Israel Exploration Journal 20/1, 2 (1970), pp. 33–37. See also, for a different hypothesis as to the position of Yehohanan on the cross, Yigael Yadin, “Epigraphy and Crucifixion,” Israel Exploration Journal 23 (1973), pp. 18–22. On the history of crucifixion, see Pierre Barbet, A Doctor at Calvary (Image Books, 1963).

Also, be sure to read the Scholars’ Corner: New Analysis of the Crucified Man by Hershel Shanks, discussing the scholarly responses to Vassilios Tzaferis’ article.

Notes

1. Diodorus Siculus XIV:53.

2. Josephus, Antiquities XIV:380–381.

3. Appian, B. Civ. I, 120.

^a. A spindle bottle resembles a cylinder that bulges at its midsection.

^b. A medical team from the Department of Anatomy at the Hebrew University Hadassah Medical School, headed by Dr. Nico Haas, made an intensive, if brief, study of the bones.

^c. Early Christian artists, although frequently representing events from the life of Jesus, refrained from drawing scenes of the crucifixion during the first 500 years of Christian history. The earliest Christian representation of the crucifixion dates to the late fifth or early sixth centuries A.D., i.e., about 200 years after crucifixion was legally abolished by the emperor Constantine the Great.

^d. In John 19:34, a lance is plunged into Jesus’ heart. This was not intended as the death blow but as a post mortem blow inflicted in order to testify to the victim’s death. Only after this testimonial was obtained was the body removed from the cross and handed over to the victim’s relatives for burial. The blow to the heart proved beyond doubt that the victim was indeed dead.

Born on the Isle of Samos, in Greece, Vassilios Tzaferis received a Ph.D. from Hebrew University in Jerusalem. He has directed many excavations, including those at Ashkelon, Tiberius, Beth Shean, Capernaum and at various locations in Jerusalem.

“Crucifixion—The Archaeological Evidence” by Vassilios Tzaferis originally appeared in Biblical Archaeology Review, Jan/Feb 1985, 44-53.

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The post A Tomb in Jerusalem Reveals the History of Crucifixion and Roman Crucifixion Methods appeared first on Biblical Archaeology Society.

“… For they drank from the spiritual rock that followed them, and the rock was Christ.”
—1 Corinthians 10:4

A WALKING ROCK IN THE DESERT. A walking rock, sailing stone, moving rock or sliding rock are all names for a rock that moves along a smooth valley floor without the assistance of humans or animals. What does Paul mean in the Bible when he talks about the “spiritual rock that followed” the Israelites during their wanderings in the wilderness? Is he talking about a walking rock? No—the natural phenomenon of a walking rock is very different than the miraculous water-giving rock mentioned in 1 Corinthians 10:4. Photo: Lgcharlot’s is licensed under CC-by-SA-4.0

What does Paul mean in the Bible when he says that the Israelites drank “from the spiritual rock that followed them” during their wanderings in the wilderness?

Paul makes this claim—in 1 Corinthians 10:4—while recounting how the Israelites were sustained in the wilderness after their dramatic Exodus from Egypt before they entered the Promised Land. They “all ate the same spiritual food” and “drank the same spiritual drink” (1 Corinthians 10:3–4).

Those familiar with the Hebrew Bible (Old Testament) might stop and wonder: What does Paul mean? In the Bible, it says that the Israelites miraculously received water from a rock two times (Exodus 17:1–7 and Numbers 20:1–14). Both times Moses hit the rock, which then produced water, but the text never claims that the Israelites were followed by a water-giving rock. Therefore, what does Paul mean in 1 Corinthians 10:4?

John Byron examines this passage in his Biblical Views column “Paul, Jesus and the Rolling Stone” in the September/October 2015 issue of BAR.

Byron notes that, interestingly, Paul is not the only person to suggest that the Israelites were followed by a water source during their wilderness wanderings. A first-century C.E. source called Pseudo-Philo’s Biblical Antiquities makes a similar claim: “But as for his own people, he led them forth into the wilderness: Forty years did he rain bread from heaven for them, and he brought them quails from the sea, and a well of water following them” (10.7).

MOSES HIT THE ROCK, and water gushed forth—as depicted in this fresco by Raphael Sanzio. Did a water-giving rock follow the Israelites through the wilderness? If not, what does Paul mean in 1 Corinthians 10:4?

Pseudo-Philo claims that a well of water followed the Israelites through the wilderness, whereas in 1 Corinthians 10:4, Paul says that it was a rock that followed them. How did these two ancient interpreters come to their conclusions?

“What they seem to have concluded,” Byron explains, “is that since Moses named both the rock at Rephidim (Exodus 17:7) and the one at Kadesh (Numbers 20:13) ‘Meribah,’ the logical conclusion was that both were one and the same rock and that it, therefore, must have accompanied Israel on their journey.”

1 Corinthians 10:4 reflects a common ancient interpretation—that the Israelites were followed by a water source during their wilderness wanderings, which is demonstrated by Paul’s casual reference and supported by Pseudo-Philo.

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In the passage, Paul makes a second unusual claim: The rock that followed the Israelites through the wilderness was Christ.

How should we respond to these two claims? Was Paul speaking literally or figuratively?

“At the end of the day it’s unclear whether Paul really thought the rock followed Israel in the desert,” Byron says. “Most ancient and modern commentators assume that Paul is reading Israel’s story typologically rather than suggesting that Jesus was present with Israel in the wilderness in the form of a movable water source.”

To see John Byron’s full explanation of 1 Corinthians 10:4, read his column “Paul, Jesus and the Rolling Stone” in the September/October 2015 issue of BAR.

BAS Library Members: Read the full Biblical Views column “Paul, Jesus and the Rolling Stone” by John Byron in the September/October 2015 issue of Biblical Archaeology Review.

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This Bible History Daily feature was originally published on September 7, 2015.

Related reading in Bible History Daily

Exodus in the Bible and the Egyptian Plagues

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